DBL645 (mono): A Ghost Story (fiction)

In 2020, I was asked to write a short Christmas ghost story for a podcast called Hallowed Histories. The following year, I wrote a further four tales and combined them with the earlier piece into a slim volume called (imaginatively) “Ghost Stories for Christmas.” Some people said some very nice things, and so in 2022 I followed it up with a novella entitled “The Festive Symphony”, and, in 2023, with another volume containing two more novellas and a short story. “DBL645 (Mono)” was the short story in that 2023 book (“In the Bleak Midwinter: More Ghost Stories for Christmas”). I thought it would be nice to put the story on my blog so that people can pass half an hour or so and/or use it as a sampler for the “Ghost Stories for Christmas series.” Enjoy – and be careful of records with white labels!
Shane

*
DBL645 (Mono)

It was the first that time that Gareth Grisham had gone to a record fair since the covid pandemic, and he would have been the first one to admit that he was disappointed.  

It wasn’t what was on offer that was a problem, or that there were less sellers.  In fact, there were probably more sellers squeezed into the small hall than normal.  No, it was the fact that there had been three periods of lockdown, and many of the dealers seemed to have not taken that opportunity to go through their stock to get rid of the rubbish and the damaged, and, even worse, they still hadn’t sorted their stock into genre or some other form of sensible order.  Buyers were, instead, meant to wade through a dozen boxes or more of LPs at each stall in order to see if there was something they might be interested in among them. 

At one stall, he asked the seller:

“Is there any jazz or classical here?”

“Don’t know mate,” the reply came.  “You’ll have to look through.”

Gareth had started, but it was a painful process filing through each and every record.  He looked at the seller, and thought he was about forty, maybe forty-five. 

“Yes,” Gareth muttered to himself, “wait until you get to seventy-five, and then you’ll realise how much pain you get in your arthritic fingers by wading through a dozen boxes of records because the seller couldn’t be bothered to sort them out – not to mention how your knees will ache because you’ve been standing in one spot.”

He limped along to the next seller.  There wasn’t much hope of finding what he wanted there either, but he thought he would ask anyway. 

“Do you have any classical or jazz?” he asked.

“No, mate,” came the reply. 

Everyone called him “mate” at a record fair. 

Gareth thanked him and started to move towards the next stall.

“Actually, there is just one record,” the seller shouted after him.  Gareth stopped and turned back.  “I don’t know much about it.  It’s not really my area, as you might have gathered.  It’s this one.”

The man reached beneath the table and produced a record.  It was LP size, and in a plain white paper sleeve.

“It’s a test pressing,” the man said.  “White label.  But I don’t know what’s on it.  Some concerto, or something, I reckon.”

He pronounced the word “concert-oo.”

Gareth took the record from the man.  Yes, it most definitely appeared to be a test pressing.  A single-sided one.  But there was no indication of what music the record contained.  The only information was the record number, handwritten on the label: “DBL645 (mono).”

Gareth was interested.  He didn’t know why, but he was.  Perhaps it was because he didn’t recognise the prefix “DBL.”  Did it simply mean that the record was part of a double set?  That might make sense, but he wasn’t convinced.  No, the record was something of a mystery, and Gareth quite liked mysteries.   

He took the record out of its paper sleeve, and held it up to the light.  It appeared to be in excellent condition.  Barely played, if at all.

“And you really have no idea what’s on it?” he asked the seller.

“Not at all, mate.”

Gareth sighed.  He wasn’t particularly keen on spending money on something when he didn’t know what he was buying.  It was probably throwing money away on tat.  Gareth had bought a lot of tat at record fairs. 

“How much?” he asked.

“A tenner to you, mate.”

The seller looked almost excited at the thought that someone was interested in the record.  Had business really been that slow?  Gareth thought there were more people browsing than normal.  He looked down at the record, and then handed it back to the seller.

“I’m curious,” he said, “but I can’t spend ten pounds on something when I don’t know what it is.  I’m sorry.”

“A fiver, then, mate.”

Gareth felt a shiver run through him.  There was something about the way the man said it.  Almost like he was desperate to get rid of the record.  There was a vibe of “please, I want to be shot of it.” Why would that be?  Gareth shivered again.  Something was wrong, and yet he reached into his trouser pocket and produced a five-pound note. 

“OK,” he said.

He handed the money over, and put the record in his bag. 

“Thank you,” he said, and then walked away. 

Gareth gave a cursory glance at the remaining stalls, but resigned himself to the idea that he wasn’t going to bag a significant amount of records.  He was better off sticking to charity shops.  Charity shops had been the source of some of Gareth’s most interesting finds over the years.

By the time he left the hall, it had started snowing.  The weather forecast had threatened snow, but Gareth had assumed that it was going to be a false alarm.  So often, Norfolk seemed to miss the weather that the rest of the country had.  Not this time, it seemed, for the snow was coming down quite heavily, and the sky appeared to promise much more of it to come.  Gareth decided that staying in the city for lunch would probably not be a good idea under the circumstances.  Norwich so often ground to a half after an inch of snow, and he didn’t want to be stranded.  He was too old for such shenanigans.

As he started the walk to his bus stop, he wondered how long the buses would be running for.    He hoped it would be long enough to get him home.  That was all that he was really interested in.   The snow was already laying on the pavement, and he didn’t like it one bit.

Ten minutes later, he reached the bus stop, but his heart sank when he saw the extended queue of people waiting there.  He wondered if it meant that the previous bus hadn’t turned up, or just that everyone else had the same idea that he did: to get home as quickly as possible.  The other bus stops on the street were quite crowded, too.  It was hardly surprising, for the snow was even heavier now.  Gareth realised that he wouldn’t have wanted to be driving in those kinds of conditions. 

He looked down the road, willing his bus to turn the corner and come towards him.  Instead, a black cab turned into the road.  Gareth hadn’t taken a cab in years.  If truth be told, he didn’t like spending money on them.  They were too damned expensive.  Even so, he didn’t hesitate to put his arm out to signal for the taxi to stop for him.  He didn’t have much hope that it would do so, and assumed that it was already taken.  He felt a huge relief when it pulled into the side of the road in front of him. 

Gareth opened the door.

“Thank you so much for stopping,” he said, as he got in.  “I didn’t think I was going to be lucky waiting for a bus.”

“It’s coming down pretty heavy,” the driver said, turning around and smiling.   “Where are you going, Sir?”

Sir.  Gareth was much happier being called “Sir” than “mate,” as he had been at the record fair.

“I’m in Brandley,” he said. 

“OK.  Brandley it is,” the driver said.  “Let’s hope the snow hasn’t already cut off those country roads.”

“Yes,” Gareth replied.  “Let’s hope.”

He put on his seat belt, and got himself comfortable for the ride home. 

The journey was a slow one, not because the roads were impassable, but because the visibility was so limited due to the snow coming down. 

“It looks like it’s set in for the day,” the driver said.

“Yes, rather a surprise, really.  Normally we escape the worst.”

As they worked their way through the city traffic, Gareth looked down at the bag beside him. 

“And to think I got caught in this weather for the sake of one measly record,” he thought to himself.  “It had better be worth it.”

He pulled the record out of the bag, and looked at it again. 

“You got something nice there?” the driver asked him.

“To be honest, I have no idea,” Gareth told him.  “It’s a bit of a mystery as to what it is.”

The truth of it was that he was rather looking forward to switching on his computer and doing a search for the record number that was written in pen on the white label.  He had been a researcher for a television company many years earlier, and, once researching got in the blood, it was difficult to get rid of it.

“It’s probably nothing of interest,” he said.  “But it was cheap enough to be worth a punt, as they say.”

“I hope so for your sake,” said the driver.  “After all, it’s going to cost you a fortune to get it home, I’m sorry to say.”

Gareth looked up at the meter in the front of the car.  Ten pounds already, and they were only just on the outskirts of the city.  Another five or six miles yet.  It wouldn’t have cost him anything on the bus with his bus pass.  Still, it couldn’t be helped. 

“If it was a CD, I could have played it for you on the way home,” the driver said, with a laugh.

“If it was a CD, I wouldn’t have bought it,” Gareth thought.

Gareth didn’t approve of compact discs, and he didn’t even really know what streaming was.  And he didn’t want to.  He was too old to make changes to his listening habits at his age. 

The journey home would normally have taken about twenty minutes, but that day it took nearer an hour.   The cost was horrendous, but he paid it happily, just relieved to have got home at all.  He climbed out of the black cab, and wished the driver a safe drive back.

“Thank you,” the driver said.  “I’ll be glad to get home tonight, that’s for sure.”

Gareth walked rather gingerly down the footpath to his bungalow.  Already, the paths were slippery.   They would be even worse after the children had made a slide out of them.  They never thought about old people like him – but, he admitted to himself, neither did he when he was their age.  Each generation was the same in that regard.

He unlocked the front door, and went inside, pulling off his shoes in the hallway so that he didn’t bring the snow into the house.  He took off his coat, and put his feet into his slippers.  Then, he picked up his bag with the record in it, and went through into the kitchen, putting it down on the table. 

He switched the kettle on, and went through into his study and switched on his laptop computer.  It was pretty ancient, and took a long while to boot up, but it was just fine for what he needed.  When the old thing finally packed up, then he’d get himself a new one.  Not before.

Back in the kitchen, he poured the water from the kettle into the teapot and put a tea cosy over the top.  He knew that he was old-fashioned, but tea made in a mug just never tasted the same.   It was a bit too late for him to change such things now. 

With his cup of tea in one hand and the record in the other, he went back into his study.  He had no idea why he called it a study, really.  It was little more than a box room with the computer desk and a couple of bookcases with mostly reference books in them.   There wasn’t space for anything else. 

He sat down at the computer, and brought up Google. 

“I wonder what we ever used to do without Google,”  he thought to himself. “Used libraries, I suppose.”

He typed the record number into the search box. 

DBL645.

When the search results appeared on the screen, he wasn’t surprised to see that there was no mention of a record.  He moved on to the next page, but there was nothing there, either.   Gareth typed “DBL645” into the search bar again, and this time added the word “record.”  Again, there was nothing. 

He could have kept trying, but, deep down, he knew that it really wasn’t worth the effort.  There was no such record.  He had known that from the start.   Gareth knew that left only a couple of possibilities.  Firstly, it could have been a private pressing – maybe even a basic copy of a radio broadcast, perhaps.  Classical music was broadcast on the radio all of the while, and, back in the day, there were many “private pressings” of such performances – “private pressing” being another term for “bootleg,” but it made collectors feel better about themselves.  The other option was that this was a test pressing of a record that simply never got issued – but if that was the case, it was from a label that Gareth had never heard of, as the prefix “DBL” meant nothing to him, and there wasn’t much about the classical records world that he didn’t know.

He took a sip of his tea, and then looked down at the record in front of him.

“I guess the only thing to do is to play you,” he said.

He got up and took the record and the cup of tea into the lounge.  He put the tea down on the coffee table and placed the record on the turntable. 

Just as Gareth was about to place the stylus at the beginning of the record, he shivered, as if “someone had walked over his grave,” as the old saying went.   He didn’t think much of it, assuming it was just that he had got cold after being out in the snow.  It took a long while for an old body like his to get warm again.  He made a mental note to himself to take more notice of the weather forecast next time. 

He looked across the room and out of the window.  The snow was coming down heavier than ever now.  Gareth had a horrible feeling that it was going to last all day, and he was likely to be stuck in his bungalow for half the week.  Still, it wasn’t often that there were heavy snowfalls these days, and he told himself to count his blessings for that. 

Gareth looked down at the spinning record in front of him, took a deep breath, and placed the stylus at the beginning of the first track.   He waited, almost excited at finding out what music was actually on it. 

At first, there was nothing, just pops and crackles that told Gareth that the record hadn’t been played in quite a while, and dust and grime had got into the grooves.  It clearly needed a damned good clean.  Well, that could wait.  There would be plenty of time for that if he was going to be snowed in.

For a moment, Gareth wondered if there was any music on the disc at all.  Other than the crackles, he heard nothing…but then, after maybe ten or twenty seconds, he realised that something else was coming out of the speakers.  It was just a long, low note, but, oddly, he couldn’t quite work out what instrument was playing it.  Was it just a single organ note?  If so, it was weirdly recorded.  Or perhaps it was a double bass.  Gareth was annoyed with himself for not being able to work it out.   He wondered if his hearing was as good as it used to be. Then, voices could be heard.  Bass voices.  There were no words that he could decipher.  It was more like a chant of some kind.  After another ten or twenty seconds, they were joined by another group of women’s voices.  Sopranos.  Or were they boy trebles?  It was so hard to tell.  No wonder why the record was never released; it was recorded so badly.  The engineer or the producer clearly had no clue as to what they were doing.  It was a mess. 

Out of nowhere, there came what Gareth could only describe as a piercing cry – almost a scream of pain coming through the speakers.  He stepped back from the record player, somewhat in shock at what he had heard.  Surely that wasn’t music?  It definitely sounded like someone being hurt. 

As he stepped away from the turntable, there was a loud thud on the window.  Startled, he went to the window and saw that a bird had hit it.  The poor thing was lying on the ground outside, clearly dazed and in pain.  He drew the curtains and turned away from the window quickly.  There was nothing he could do about the bird.  He wasn’t going outside in the snow to either rescue it or put it out of its misery. 

The sound coming from the record was filling the room. There were more voices now, but still seemingly no words.   There were other noises, too.  It sounded like people moving around, but there were also scratching sounds, almost as if there was a mouse or rat trapped within the record itself.   Gareth put this strange thought out of his head quickly.  It was simply a live recording, and people were moving around.  A squeaky floorboard on the stage, perhaps.  Nothing more than that.

And then there came another cry.  This time there was no mistaking it.  It was a scream.  Someone on the record was being hurt.  Gareth rushed over, and removed the stylus from the record.  He had no idea what he had bought.  Perhaps some kind of modern performance art.  That might explain it.  In truth, he didn’t care what it was.  He simply didn’t want to hear any more.  It was giving him the creeps, and Gareth never got the creeps. 

He was thankful that he had only spent a fiver on the record.  It was quite possible that it was worth considerably more than that – but only to someone who knew what was actually on it.  He took the record off the turntable and put it back in its sleeve.  He filed it at the end of the shelves on which stood his substantial record collection. 

Leave it there,” he thought,  “where it can’t do anyone any harm.”

What had made him think that?  How could a record do him (or anyone else) any harm?  The idea was ludicrous, he knew that – and yet, when he sat down on the sofa to drink his tea, he couldn’t stop his gaze from settling on the record that was barely visible on the far side of the room.  He chastised himself for being a stupid old fool, but got up and took the record through into the study, where he couldn’t see it.  Out of sight, out of mind.

Returning to the sofa, he picked up the remote control for the television, and switched it on.  Gareth started flicking through the channels, moaning to himself that there wasn’t much more of worth on television now than when there were only three channels.  Half of them seemed to be showing slushy romantic Christmas films that he had absolutely no interest in. 

In the end, he settled on BBC2, which was showing Laura.  He hadn’t seen that film for years.  It didn’t stop him from remembering a lot of it, though.  That’s the problem with a mystery film that has such a big twist halfway through – you always remembered the twist so you couldn’t fully enjoy the film again.  Still, he knew it was a good movie, and that he would soon get engrossed in it, and it would take his mind off that awful record.

The next thing he knew, the end credits were rolling.  He had fallen asleep.  It was often the same.  He was always falling asleep when he didn’t want to – and then couldn’t sleep when he was meant to. The wonders of growing old.

Gareth got up off the sofa and made his way over to the window, where the curtains were still drawn from when the bird had hit the window.  He pulled the curtains apart so that he could peer out.

Everywhere was white – the sky, the ground, the trees, the plants.  He really was going to be snowed in, just as he used to be when he was a child.  Those kinds of snowfalls didn’t come around much anymore.

Gareth thought it might be a good idea to have an early supper, in case the electricity went off.   He moved away from the window and started to walk through into the kitchen, but stopped in his tracks when he saw that the record he had bought earlier in the day was on the coffee table.  He stared at it for a moment, wondering whether he had brought it back into the lounge himself, but he knew he had not.  The only option was that he had walked in his sleep, but he had never knowingly done that before.  However, there was no other rational explanation – and, right now, he was desperate for a rational explanation.  He didn’t want to spook himself. 

“I’m putting you back in the study,” he said, as he picked up the record. 

He placed the record down on the computer desk in the study, and then sat down at his laptop once more.  He realised that he could go on one of the internet forums dedicated to collecting records, and ask if there was anyone out there who knew something about the what he had bought.  He went to the website he was thinking of and started typing.  When he had finished, he posted the message and then copied the text, and pasted it into a thread on classical music on the Steve Hoffman forums as well.  There was always someone on there who knew the answer to every query.

Gareth was tempted to stay seated at the laptop, in case someone who was already online could give him an answer straight away, but he decided against it.  He’d come back in a few hours and check for a reply. 

He left the laptop switched on, and went through into the kitchen.  He was feeling surprisingly tired, and decided that he would make do with some soup for tea.  He had some bread rolls in the cupboard that he had bought the day before, and thought the soup would give him a good opportunity to finish them up.

Gareth found the tin of soup he was looking for, opened the can, poured the contents into a saucepan and put it on the cooker.  Ten minutes, and his supper would be ready. 

While he waited for the soup to heat up, Gareth watched the snow out of the kitchen window.  There were no curtains, as the curtain track had broken a few weeks before, and he needed someone to put a new one up.  He was too old to be getting up on stepladders.   He didn’t like not having curtains up, though – especially in the winter months.  It made everything seem so bleak.  The kitchen looked out over the fields behind the house, but all he could see was the grey sky and the snow slowly making its way down to the ground. 

He crossed the kitchen to stir his soup, but stopped in his tracks when he saw that the record was once again on the kitchen table. 

Gareth felt his pulse quicken.  He most definitely had not moved the record this time, but was also well aware that it couldn’t move itself.  The damned thing was giving him the willies.  If it wasn’t snowing so hard, he’d have taken it outside and put it in the bin, where it couldn’t do any harm.

But what had made him think that a record could do him harm?  The idea was ridiculous. 

“Oh well, if you’re that keen on being in the kitchen, I’ll leave you in here,” he said out loud,  to the record. 

Once over the initial shock of what had happened, he started stirring his soup, and then took down the bread rolls from the cupboard and buttered them.  He’d sort the record out after he’d eaten. 

He took his supper through into the living room, and switched the television on, knowing full well that he was not likely to approve of what was on during a Saturday evening.   He found a Beethoven concert being broadcast on BBC4, and settled down to watch it.  Was this the first piano concerto or the second one?  He never could remember which was which.  Wasn’t the second one actually written before the first one, or was that another composer entirely?

He was halfway through his soup when he picked up the first of the bread rolls and took a bite.  Something tasted wrong.  

He looked down at the roll in front of him.  It was green with mould, and he spat out the bread in horror.  What was going on?  It wasn’t like that when he took it out of the cupboard and buttered it.  He tried to remember if he had swallowed some of it, but couldn’t.  He hoped not.

Now, there was a noise in the kitchen.  The sound of something moving.  Gareth put the tray with his supper down on the coffee table, and got up from his chair and walked through into the kitchen.  The record that he had left on the table was now nowhere to be seen.  For a moment, Gareth was somewhat relieved at the idea of it having disappeared, but then realised that it was likely to have just moved – a strange thought to have about an inanimate object.

He was beginning to feel rather ill, and so made his way back into the living room.  His supper was still on the coffee table, and the rolls were as they had been when he had taken them out of the cupboard.  There was not a sign of mould on them.  Had he fallen asleep and dreamed it?  He was rather tired given everything that had happened during the day, but he knew he had not been dreaming.  Besides, that didn’t account for the record moving about by itself.

As he stood there, staring at what was left of his supper, he heard something move behind him.  Footsteps.  Gareth was sure that it was footsteps.  He spun around quickly – perhaps a little too quickly, as he felt more than a little woozy – but there was no-one in the kitchen. 

Now, the same noise was coming from the hallway near the study.  He walked down there, and opened the study door, only to see a glimpse of something.  What was it?  It wasn’t a man, he was sure of that, but he had only caught sight of…whatever it was…for a second before…before it disappeared into the wall.

No, he was mistaken.  He had to be.  He was seeing things, perhaps coming down with a virus of some sort.  That would be why he had hallucinated about the bread.   But he didn’t feel ill.  Besides, the record was now beside the laptop, and Gareth knew that he hadn’t put it there.  He had left it on the kitchen table. 

Gareth sat down at the laptop, and logged into the forums that he had posted in a little while earlier.  There were no replies.

“I think I’m going to bury you when the snow has cleared,” Gareth muttered to the record. 

He got up, and washed his supper things before making himself a pot of tea and sitting down to try to find something else to watch on the television.   He had left the record in the study, and had shut the door.  If it moved, it would have to go through a solid door to get out. Gareth was pretty sure that wasn’t going to happen.

The Beethoven concert he had been watching had given way to a repeat of a Proms concert featuring the National Youth Orchestra.  Gareth had seen it before, but he was happy to watch it again.  He rather enjoyed the youngsters giving their all on the Royal Albert Hall stage, and clearly enjoying themselves.  Now that things were returning to something approaching normality after covid, perhaps he might make a trip to London to see them in the next Proms season.  He could treat himself and stay overnight in a hotel, and maybe even visit the Victoria and Albert Museum the next day.  It had been a long time since he had gone there.  Yes, that would be on his to-do list for next year.

The orchestra finished their rather glorious performance of Ravel’s La Valse, and Gareth waited to see what the inevitable encore would be.  The National Youth Orchestra normally had something fun up their sleeves for the encore.  But Gareth didn’t recognise the piece.  Not at first, at least.  The camera had focussed on a lone double bass player, playing a long low note.  But something was wrong.  The close-up of the player got tighter and tighter, and then, looking directly into the camera, the double bass player smiled.  Not a normal, happy smile, but something that looked like what Gareth could only think of as “evil.”

And then it began.

The musicians started playing what he had heard on the record he had bought.  The camera angles were distorted in such a way that some of the faces looked as if they were melting. 

Gareth used the remote control to turn off the television.  Sweat was pouring down his face, despite the fact that he had been cold just several minutes earlier. He knew that it was panic.  Or was this a heart attack?  No, he was sure that it was not.    It was just caused by the record. 

He sat in his armchair doing the breathing exercises his GP had taught him a number of years earlier.   He was beginning to calm down, and his chest felt less tight, until the record started playing behind him on the hi-fi.  It was impossible, he knew.  He had left the record in the study, behind a closed door.  And yet, despite that, he was well aware that it had somehow found its way on to the turntable and was playing by itself. 

Unsteadily, he got up and walked towards the turntable, which was, indeed spinning.  The stylus was on the record, and it was playing.  The noise coming from the speakers was hideous, a strangely revolting sound that was, he thought, not natural in any way. 

As he staggered over to the turntable, and snatched the stylus off the record, he saw a figure moving through the kitchen.  As before, it was just a fleeting glance.  But he saw it better this time.  It looked vaguely human, about Gareth’s size and build, and yet something told him that it wasn’t human.

Gareth was frightened, really frightened.  He took the record from the turntable.  The only thing he could do was to take it outside and bury it.  He would get a spade from the shed, providing the shed door could be opened with all of the snow up against it.  Deep down, he knew that burying it in the snow made no sense.  It would be waiting for him when the snow eventually melted, but he pushed that thought aside.  He just needed it out of the house.

He stumbled to the back door almost in a trance, looking out for the mysterious figure he had seen.  As he opened the back door, the snow that had accumulated against it over the previous few hours fell into the hallway, but Gareth didn’t care.  He would sort that out later.

Still in his slippers, and without even getting a coat, he made his way down through the snow to the shed at the bottom of the garden.  He was aware that he wasn’t thinking straight, but he almost felt compelled to do what he was doing.  It was as if someone was controlling him, as if he was hypnotised.  His mind briefly brought up images of the somnambulist in The Cabinet of Dr. Caligari

Thanks to the direction of the wind, the shed door didn’t have as much snow against it as Gareth had feared.  He pulled at the door, and it opened with surprising ease.  He got the spade and then dragged it behind him further down the garden.  He wanted to bury the record as far away from the house as he could. He put the disc on the ground, and then smashed the spade into it. 

Damaging the record seemed to break the spell that he had been under, and he realised he hadn’t bothered to put a coat on and was outside in his slippers.  Gareth knew that staying outside in the snow without a coat and gloves would be a stupid thing to do, and so he left the record and the spade in the snow and walked back towards the house, chastising himself for being so stupid.

The back door was shut.  Gareth didn’t remember shutting it behind him when he came out.  In fact, he was sure that he hadn’t.  He turned the handle and pushed, expecting the door to give way as it should, but it remained shut fast.   He knew for sure that he hadn’t locked it.  He pushed again, throwing all of his weight against the door, but it wouldn’t budge. 

Panicking, Gareth wondered if he could clamber inside if he broke the kitchen window.  He wasn’t sure he could do it.  His legs and arms didn’t have the strength in them that they used to have. 

Even from outside, he could hear the record playing on the turntable, despite the fact that he knew that it had been left at the bottom of the garden.  

Gareth feared at that moment that he was going to die.   If he tried to make it to his next-door neighbour’s house, he knew that, somehow, he wouldn’t get there.  Something would stop him.  And here he was, outside in the snow, with slippers on and no coat.  He was sure that this was down to the effects of the record.  He felt once more that he had been hypnotised. 

He looked again at the kitchen window, wondering how he could break it and scramble inside.   There was an old metal watering can a few feet away from him.  He picked it up and started hitting the window with it, in the hope that, eventually, the glass would break.  He had been hitting the window with it for a couple of minutes when one of the panes of glass cracked.  Gareth thought that it was his chance. 

He started working on the cracked pane, and managed to push the glass out, although he still didn’t know how he was going to get in through the window.  He would need something to stand on to give him a chance of getting inside, but there was nothing close by that he could use.  Perhaps there was something in the shed, but he didn’t have the energy to get there or to pull whatever he found back to the house.  With the snow now about six inches deep, each footstep felt like a mile. 

“Let me in, you bastard!” he shouted through the kitchen window to whatever was inside and waiting for him.

Gareth watched in horror as the figure he had previously only glimpsed walked into the kitchen.  It looked human, about five feet ten inches tall.  It had a slim build, and a mop of rather unruly grey hair.  It smiled at him and waved its bony fingers.  Gareth stepped back, not knowing what to do.  The figure he was looking at…was himself

How could he be inside when he was standing out in the snow?  Was he hallucinating?  Gareth didn’t think so.  

The falling snow was covering his face, and he attempted to wipe it away, but, as he raised his arms, he realised that his hands were numb.  He could barely feel them at all.  It was hardly surprising given the weather.  He tried to rub them together to get some feeling back in them. 

His doppelganger watched him from the kitchen, and laughed when Gareth realised that he couldn’t feel his hands…because they were no longer there.  It wasn’t as if they had been cut off, they had simply faded away. 

Gareth watched in horror as his arms also began to disappear, starting from his wrists and moving up towards his shoulders.  It wasn’t, he realised, that they couldn’t be seen.  He wasn’t turning into The Invisible Man; he was simply being erased. 

He fell to the ground as the same process began with his feet.  As they vanished in front of his eyes, he wanted to scream, but couldn’t.  His mouth was gone, too.

The only sounds he could hear was the laughter of his doppelganger and the sound of the record playing.

Epilogue

Post made by “Neil 1975” on the Classical Collectors Forum, 9.15pm, December 20th.

Hey Gareth.  Not seen you posting on here for a long while.  It’s good to see you back! 

I’m guessing the record you mention that you picked up at the fair yesterday is some kind of joke. 

There was a rumour on the internet about a record with that number about ten years ago.  Utter nonsense, of course, but it was said that, when played, the record summoned some kind of evil spirit.  Ridiculous, right?  The weird thing is that some very well-known collectors believed it. 

The spirit was said to manifest itself as a double of the owner of the record, and then was thought to “replace” them in some way.  “Invasion of the Body Snatchers” type of thing.  It was said that the “DBL” in the record number was a reference to this “double.” I’m not sure what the “456” is meant to represent.  But, as I say, a couple of well-respected people believed the tale, which I find odd.

I know you won’t let anything of that nature bother you, but let me know what’s actually on the record, as I’m curious to find out.   I bet if you put it on eBay, there’ll be someone out there willing to pay a good sum for it.  You know what people can be like with rumoured haunted objects. Or perhaps you could put the audio on YouTube.  You might become an internet sensation!

Anyway, that’s all I know about it – or have heard about it, I should say.  Let me know how you get on with the record. It’s good to hear from you again.

Have a good Christmas, mate.

The Ghost Stories for Christmas series can be found on all Amazon sites, including:
UK: https://www.amazon.co.uk/dp/B0CHXWM4KS?binding=kindle_edition&qid=1709850021&sr=8-1&ref=dbs_dp_rwt_sb_pc_tkin
and USA: https://www.amazon.com/dp/B0CHXWM4KS?binding=kindle_edition&searchxofy=true&ref_=dbs_s_aps_series_rwt_tkin&qid=1709850090&sr=8-1

Elvis Presley: How Great Thou Art (review)

On this day in 1967, Elvis’s second gospel album, How Great Thou Art, was released, and would result in Elvis’s first Grammy win. The following analysis of the album is taken from “Reconsider Baby. Elvis Presley: A Listener’s Guide,” available on all Amazon sites in kindle, paperback and hardback formats.

*

In hindsight, it seems strange that it took nearly six years for a follow-up to the His Hand in Mine album to be recorded, especially during a period when Elvis had lost his way with regards to material intended for the pop charts.   However, it made sense that Elvis’s return to the recording studio in May 1966 for non-soundtrack material should be built around gospel recordings, and the resulting album would win him his first Grammy.  Following the extensive period of home recordings, Elvis could now show off a new, more mature, sound – just like he had in 1960.  

The first lines of How Great Thou Art sound like a different singer than the one who had crooned his way through 1961 and 1962, or sleepwalked his way through the later soundtracks.  With a new producer, Felton Jarvis, in the control booth, Elvis demonstrated a deeper, darker tone than before.  Beyond this, there was a sustained commitment not seen in the studio since the His Hand in Mine sessions.  For that record he had placed himself within a gospel quartet setting, but for How Great Thou Art he became leader of a choir – not only were The Jordanaires present, but also The Imperials, Millie Kirkham, June Page and Dolores Edgin.  One thing that is noticeable is the slightly muddy sound of some of the original mixes, but the beauty of Elvis’s singing shines through nonetheless.

Elvis’s version of the title song from the album is one of his great achievements.  The arrangement is partly based on the recording by The Statesmen which featured on their album Songs of Faith from 1964.  From this, Elvis borrowed the arpeggio figure that underpins the verse.  However, his version is slower than The Statesmen’s, and yet it has a slight swing in the chorus that is not present in their recording.  Elvis’s voice is fuller here, with considerably more power than had been present on record before.  Here is the first example in a studio setting of the kind of vocal tone that would be present throughout the 1970s. 

As with the Something for Everybody album, How Great Thou Art was broadly split into a ballad side and an upbeat side.  In the Garden was the second track on side one and was one of the songs that Elvis had said he would like to record in a magazine interview back in 1956.[1]  It is hardly the most commercial number on the album, being a morbid hymn dating back to 1912, but once again Elvis manages to inject a slight swing into the track.[2]  The vocal doesn’t have the same lightness of tone or flexibility of a few years earlier, and there are some lines here where he struggles to keep the vocal tone he is after.  Still, while the non-religious might find the track a little morose and pedestrian, there’s no doubting Elvis’s sincerity and commitment.

Somebody Bigger than You and I is quite different.  This is more of a pop-oriented inspirational song in the same vein as I Believe.  Elvis’s arrangement gives the song a triplet beat which is not present on most recordings.  Here, he sings in a lower key than normal – something he would do more and more often in the following decade.  It’s not the most subtle or controlled vocal of the album, but the triplet beat serves to break up the first side of the album rather effectively.

Farther Along returns us to similar territory to In the Garden.  While Jorgensen states that Elvis was particularly fond of The Harmonizing Four’s version of the song, it’s clearly not that upbeat arrangement that he draws upon.[3]  Instead, the song is taken at a stately pace, with a slight country tinge.  It’s pleasant enough but, at over four minutes, it outstays its welcome despite the reverential vocal. 

Stand By Me isn’t the Ben E. King hit, but a beautiful plea from the heart for patience and courage, and one of the highlights of the album.  It’s one of the simplest songs on the LP, and yet it manages to be one of those rare sacred songs that has meaning for believers and non-believers alike, with Peter Guralnick commenting how Elvis gives a “beautifully articulated, almost nakedly yearning performance.”[4]  Elvis is accompanied just by piano, and the arrangement takes the form of Elvis singing a line that is then answered by the “choir.”   I wrote at the end of the chapter on the Sun recordings about how someone has to have lived and loved in order to get inside a lyric and tell a story, well Stand By Me is a key example of that coming into play.  It’s a song about vulnerability, and something that Elvis couldn’t have delivered with this amount of honesty and sincerity ten years earlier.

Without Him is a stately ballad in waltz time in an arrangement that borrows heavily from the version by The Statesmen.  However, whereas their version begins with the chorus, Elvis’s starts with the verse.  Most noticeable, though, is the instrumentation, making striking use of the combination of organ and piano.  The vocal is more tender than that by The Statesmen, but Elvis suffers from poor breath control here.  Whereas the song is crying out for long passages to be taken with one breath, Elvis breathes after almost every other word, and it spoils the effect.

The second side of the album is, on the whole, much more buoyant, and starts off with the upbeat jubilee number So High.  Elvis once again sings in a lower key than usual, possibly trying to emulate bass singer Jimmy Jones of the Harmonizing Four.  The change of pace is welcome after the sometimes-morose first side, and Elvis puts in a fine performance, although the overall sound of the arrangement might have been less muddy had it been performed in a higher key. 

Where Could I Go But to the Lord is a wonderful example of Elvis merging musical genres together.  This slow number swings along gently but the vocal is instilled with a blues feel.  This is a classic recording.  Elvis’s voice isn’t anywhere near as supple as it was three or four years earlier, but here he gives a laid-back vocal and one can almost feel him relishing the opportunity to sing a song he clearly loved.  He would revive the song at a brisker tempo for his TV special two years later.

Ernst Jorgensen gives a lovely account of how the unusual sound of By and By came about in his book Elvis Presley: A Life in Music,discussing at length how various sounds were experimented with, and concluding that “it rocked harder than many of the ‘rock’ records of 1966 – and it was miles beyond almost anyone else’s version of gospel.”[5]  This is another upbeat number, and has an almost rock feel to it, despite the religious words.  Elvis sounds as if he’s having a ball – and he probably was.   

Also with a rockier feel is If the Lord Wasn’t Walking By My Side, aided and abetted by a dirty use of organ in the instrumentation.  This is great music, with Elvis digging deep and giving a vocal that somehow remains reverent and yet uses elements of rock ‘n’ roll phrasing. 

The next number was actually the first to be recorded.  Run On is clearly based on the recording by the Golden Gate Quartet, but Elvis once again brings the song kicking and screaming into 1966, giving it a harder, edgier sound and yet also enjoying some of the “punchlines” at the end of each verse.  It’s by far the best of the upbeat numbers on the album, and it’s a shame that it didn’t become part of his live act in the 1970s, for it would have worked well in that setting.

The final song on the album (except for the addition of Crying in the Chapel from 1960) did get performed on stage at least once, in 1977.  That version of Where No One Stands Alone, while a lovely rarity from Elvis’s last year, isn’t a patch on this one, however.  Like Stand by Me, this is Elvis singing from the heart, and showing a vulnerable side to him rarely heard on record.  His vocal is stunning, and it makes a fitting climax to the album.

The 1966 gospel recordings would have Crying in the Chapel tagged on the end – one of the few times when a hit single was used to help sell an Elvis album but, at this stage, he needed all the help he could get.  Billboard were gushing in their short review of How Great Thou Art when it was released, finishing their comments by simply saying “it’s great.”[6]  And it was – so great that it was almost a miracle given the appalling records Elvis had been making over the previous three years.  It’s not even that Elvis is in great voice – he’s not – but he commits himself totally to every song as if his life depended upon it. 

His life might not have done, but his career certainly did, and this is most noticeable in how little attention the album received on release.  With little attention in the printed media, Colonel Parker came up with a new way to publicise the album – a thirty-minute radio programme using songs from the album to be broadcast on 276 stations on Palm Sunday 1967.  Vernon Scott wrote that “it will let the public know that, yes, Elvis is still alive and in better voice than ever.”[7]

Beyond the religious material, there were six secular recordings made at the same sessions, and one of them ranks among the very best of Elvis’s achievements.  Of the fact that Tomorrow is a Long Time was first released as a bonus track on the Spinout LP, Robert Matthew-Walker memorably wrote that it “sticks out like a Mozart quartet discovered beneath a pile of Austrian drinking songs.”  The song, written by Bob Dylan but based on an arrangement by Odetta, contains one of Elvis’s greatest performances.  With a basic, country-blues arrangement that lasts well over five minutes, the song grows in intensity and is a fascinating recording.  Elvis appears to be in much better voice here, with his vocal harking back in its beauty to the Nashville recordings of 1961 and 1962.  He sings in his higher register, portraying a mix of yearning and loneliness. Considering what became almost an obsession with editing Elvis’s performances during the late 1960s and 1970s, it’s a miracle that this one was released in its complete state.  It would have made a fine single that would have shown that Elvis was still relevant and current.  As it was, very few heard the song at all except the fans who were still loyal enough to be buying soundtrack albums.  It was their first sign that something very special was brewing.

The single from the session was, instead, the more conservative choice of Elvis’s cover of Love Letters.  Elvis follows Ketty Lester’s arrangement of this Oscar-nominated song from 1945 relatively faithfully, but his vocal is so good that one forgets the lack of originality.  He would record the song again in 1970, but the second version has none of the finesse of this original.

Beyond the Reef is a Hawaiian-flavoured ballad that is essentially a trio sung by Elvis and his friends Red West and Charlie Hodge.  In many ways, it replicates the sound that they had been playing around with in the home recordings from a few months earlier, most notably in the close harmonies of What Now My Love and Tumblin’ Tumbleweeds.  It’s nice enough, but still seems like an informal recording rather than something intended for release.  Indeed, it wasn’t issued until 1980.

Earlier in the session, Elvis had recorded The Clovers’ hit Down in the Alley.  It was typical of Elvis to launch into a down and dirty blues number with innuendo-laden lyrics in the middle of a session that had been thus far dominated by gospel material.  As with Tomorrow is a Long Time, the resulting master placed Elvis firmly within a current musical milieu for the first time in years.  Whereas the Bob Dylan song saw him aligning with the folk sound, here he was recording a song that wouldn’t have been out of place on an album by The Animals.  The raucous nature of the recording had nothing in common with anything Elvis had recorded since the blues tracks on Elvis is Back from 1960.   The remaining songs, recorded at the end of the session, were less successful.  Come What May and Fools Fall in Love sounded out of date even when Elvis cut them, although even these have more energy than what he had been recording over the last three years.  They’re fun, upbeat rock/pop numbers, but lack importance when compared to everything else that had been recorded.  The sessions were winding down and had finally run out of steam, something which was hardly surprising given what had been achieved.  However, Elvis had demonstrated for the first time in two or more years that he still had what it takes, and the road to the comeback had begun.


[1] See Archer, “Stop Hounding Teenagers,” 24.

[2] Source:  http://davidneale.eu/elvis/originals/list5.html#S1312

[3] Jorgensen, “Elvis Presley: A Life in Music,” 215.

[4] Guralnick, Careless Love, 231.

[5] Jorgensen, Elvis Presley: A Life in Music, 215.

[6] “Album Reviews,” Billboard, May 25th, 1967, 76

[7] Vernon Scott, “Elvis Presley Plans Special Program,” Redlands Daily Facts, March 13, 1967, 14.

The Stranger in the Snow (A Christmas Ghost Story)


There are currently three books in the “Ghost Stories for Christmas” series. The first (entitled Ghost Stories for Christmas) contains five stories. The second, The Festive Symphony, is a novella, and the third, In the Bleak Midwinter, contains two novellas and a short story. All three volumes are available through Amazon stores. The story below, The Stranger in the Snow, is from the first book in the series. 
https://www.amazon.co.uk/dp/B0CHXWM4KS?binding=paperback&qid=1702519387&sr=8-1&ref=dbs_dp_rwt_sb_pc_tpbk

THE STRANGER IN THE SNOW

The cottage was perfect.  It was exactly what I was looking for – somewhere that I could rent for a few months in order to write up the research that I had been working on for well over a year.  The research itself had gone well, but I was struggling to get my findings down on paper. 

My wife and I had no children of our own, but my brother and sister-in-law had been killed in a car accident about two years earlier, and their two children had been living with us ever since.  If truth be told, that was the main reason why the monograph was so difficult to write. 

I was used to a quiet house, but now, with a ten-year-old and eight-year-old running around, it was anything but.  Of course, the house would normally have been quiet during the day, and I could have worked then, but that wasn’t the case during the pandemic, when kids were staying at home rather than going to school – and people like me were being encouraged to work from home, also. 

It was Susan, my wife, who had come up with the idea of me finding a cheap, quiet house somewhere, so that I could get my work done.  She suggested that I go and stay there during the week and come home at the weekends.  A couple of years earlier, we wouldn’t have been able to afford it, but my brother and his wife had left us a considerable amount of money, and so my “moving out” seemed less of an extravagance than it would have done before, and Susan was rather enjoying parenting in a way that I most definitely was not – even if I had nothing against the two children who were now in our care. 

Susan and I had always wanted children of our own, but it had never happened – although it wasn’t through a lack of trying.  Various options had been open to us – IVF, and so on – but we had chosen not to go down those routes.  We were very much of the view that, if it happened, then great.  Otherwise, we wouldn’t be bitterly unhappy.  Perhaps fate had stepped in, and we hadn’t had children of our own for the reason that we would become the guardians of my brother’s children at a later date.  I’m no great believer in fate, but sometimes you do have to wonder, considering how things work out.

After being shown around the cottage, I told the letting agent that I would like it for three months – which was the least amount of time that the owner would consider renting it for.  It was a nice property – too large, really, with three bedrooms – but it was only about ten miles away from my wife and the children.   Despite this, the cottage was, in many respects, in the middle of nowhere.  It was two miles from the nearest village, and had no bus route running close by.  The letting agent told me that it had been part of a school at one point, but the other buildings (including the main school building) had burned down back in the 1970s.  It didn’t seem strange to me at the time that nothing had been built on the land in the intervening years.   Apparently, that land now came with the cottage that I was to rent, and that suited me just fine.  It meant that there would be no disturbances from neighbours.  

When I got home after the viewing and told my wife the news, she seemed overjoyed, although she questioned whether there was really much point in going with just ten days or so to Christmas, but I said I wanted to get started straight away.  Perhaps other men might have felt put out that their wife was happy that they were moving out for a few months, but our work was important to both of us.  We told the children over supper than night that I would be going to live in the cottage during the week and returning at weekends, and the arrangement would begin on the following Monday.  The kids thought, at first, that this was our way of saying we were getting divorced, but we reiterated that was not the case.

The weather forecasters had been saying all weekend that there would be heavy snow-storms on the Monday afternoon, and so I set off reasonably early to avoid them.  I arrived at the cottage at about ten o’clock in the morning, and, by midday, I had unpacked what few things I had brought, and had got settled in somewhat.  There was an old writing desk in one of the bedrooms, and so I set my laptop up on that, and managed to turn the rest of the room into a usable office.  I filled the fridge in the kitchen with the food and milk I had brought with me, and plugged a blu-ray player into the television in the living room.  I might have finished the research element of my project but there would still be a need to re-watch films (or parts of films) that I was writing about.  The box of DVDs and blu-rays that I had brought with me were unpacked and placed on some empty shelves that were in the living room. 

Given that it was approaching midday, I decided that I would have an early lunch and then start work in the afternoon.  I realized that there was no microwave in the kitchen, and debated whether it would be a good idea to buy a cheap one from Amazon, given that cooking was hardly something I was good at. Still, I had no objection to living on beans on toast if I had to.  About twenty minutes later, I was sitting in front of the television, watching the news while I ate.  There was much doom and gloom, not just about the virus, but also about the forthcoming bad weather, which was supposedly about two hours away from where I was.  I was, oddly, rather looking forward to it.  The remoteness of the cottage made me feel that any such snow storm could be quite impressive to watch.  Perhaps it would put me in the right frame of mind to write about the old horror films I had been researching. 

I got up from the chair, went into the kitchen to wash up, and then went upstairs and switched on my laptop, opening the box file of notes while it booted up.  I took out the large stacks of papers and placed them on the table next to the computer.  A picture of Conrad Veidt in The Man who Laughs stared up at me.  It was a print-out of the front page of a movie magazine from the late 1920s.  The film had always given me the creeps, despite the fact that it was not a horror film in the strictest sense.  It was really a historical melodrama based on a Victor Hugo novel, with Veidt playing a man who had been disfigured after a wide grin was carved on to his face as a boy.  I found it far more disturbing than any film featuring Dracula, Frankenstein’s monster or the Wolf Man.  I turned the page over so that I didn’t have to look at it. 

While the laptop chugged away as it booted up, I went over to the CD player I had brought with me, and inserted a disc and started it playing.  I bought too much music – I was well aware of that – and much of it I never got around to listen to.  Now was the perfect opportunity to catch up.  I had brought with me a large, boxed set issued by Decca of some fifty or so discs of opera and lieder recitals, some of which went back to the 1940s.  I hadn’t had the chance to play them at home, and so was looking forward to ploughing through them during the coming weeks.  I made up my mind to start with the first disc and work through them in order.

With the disc playing, I opened the Word document that contained what little work I had completed on my book.  I read through it a couple of times, and decided that I would delete the whole thing and start again.  It wasn’t that the few thousand words I had written were particularly bad, but they weren’t particularly good, either.  I felt that I needed a fresh start.  With a new file opened, I started typing. 

After an hour or so, I had written about eight-hundred words, and was pleased that I had got into something of a rhythm.  I didn’t really want to stop while the going was good, but the bathroom was calling, and so I saved my work, went to the bathroom and then made my way downstairs to make a cup of tea.  As I went back upstairs to the room in which I was working, I realized that it was getting darker outside, and it was clear that the bad weather that had been forecast was fast approaching.  The view from the window in front of me was rather impressive.  The snow clouds were making their way across the fens towards the cottage.  The wind had certainly got up, and the couple of trees in the garden of the cottage were being battered by what had now become a gale.

I was almost mesmerised seeing the clouds approach in this way, and the progress I had made with my work just an hour before was now halted by the spectacle outside.  The snow was beginning to fall now, and it splattered against the window with considerable force due to the heavy wind.  I closed the screen of my laptop, knowing that I wouldn’t be able to concentrate until the snow had passed – or, at least, until it was dark outside, or I had got bored by it.  I just sat there, watching the storm play out.  

It didn’t take long for the ground to be covered in snow, and, after a relatively short amount of time, I realized that I could easily be snowed in if it continued to fall for many hours.  Perhaps that was what I needed in order to get my work done.  As the CD I was playing came to a halt, I thought that perhaps I should ring Susan and make sure she was alright. 

“What’s it like where you are?” she asked me after we had said hello.

“The snow’s falling at quite a rate,” I told her.  “But it’s very beautiful out here in the middle of nowhere.  No, not beautiful exactly.  But…”

“Picturesque?” Susan asked.

“Something like that, I suppose.  I’m a bit worried I might get snowed in.”

“At least you’ll have no excuse to not get your work done.”

“Well, unless there’s a power cut,” I said.

“Yes, that’s true,” Susan said, a little concerned.  “Just keep everything charged up as much as you can.  Your phone and your laptop.”

“I’ve already thought of that.  How are the kids?” I asked.

“They’re outside building a snowman in the back garden.  I’m quite glad the schools have already finished for Christmas.  It stops any of that will-they-or-won’t-they be open or closed rubbish. But all is fine here.”

A minute or two later, I ended the call, buoyed by my brief contact with the outside world, even if I had only been away from it for six hours or so.  I plugged the mobile phone back into its charger – at least I’d have a day of two’s worth of battery if the electric went off.

By now, it was nearly dark, and I went through the house, drawing the curtains, doing my best to keep the heat in and the cold out.  As I did so in the living room, I thought I saw someone – or something – pass through the garden.  I would have said walk through the garden, but whatever it was didn’t seem to be grounded.  I wondered if it was a large bird of some kind, perhaps even an owl.  I peered out through the window, but it was too dark to see anything properly, and so I tried to forget about what I had seen. 

I went through into the kitchen and thought that, now I had stopped work for a while, I should think about what to have for supper.  I soon learned in the coming days at the cottage, that, when living alone and having stopped working, the mind generally thinks about food.  In the fridge was a shepherd’s pie, which Susan had made the week before, and frozen.  I thought it would be particularly suitable for such a cold, snowy evening, and so I switched on the oven and went back into the living room while it reached its desired temperature.

I switched on the television, and sat through the daily statistics about the virus that was on the news channels, and then watched the reports about the weather conditions.  It was going to get worse before it got better, the weatherman told us, and I realized that I should get prepared to be stuck in the cottage for several days unless the rest of the storm somehow bypassed us.  I sneaked another peak out of the window, and saw that the snow was still falling, and it wouldn’t be long before the country roads would be impassable.  It seemed to take less snow each winter for this to happen. 

A couple of hours passed as I ate the shepherd’s pie in front of the television while watching a rather dismal 1940s B-movie that was being shown on one of the cable channels.  I had seen worse – much worse – as part of my research, but, even so, this was very much a watch-because-there’s-nothing-better-on type of film. 

When the film ended, I washed up the plate that I had just used, and was about to go back upstairs to start work again when there was a knock on the front door.  Surprised that anyone would be out in the inclement weather, I went to the door and opened it. 

Standing in front of me was a policeman.  A constable, I thought.  He certainly didn’t seem to act with an air of authority, and almost seemed embarrassed to be there.

“Good evening,” I said.  “Can I help you?”

“I’m sorry to trouble you, Sir,” the constable said.  “But I was wondering if I might take a moment or two of your time?”

“Of course.  Please come in.”

The constable smiled at me and then came into the hallway, wiping his feet thoroughly on the doormat.

“It’s not getting any better outside, then?” I asked, trying to break the ice a little.

“Not at all, Sir,” the policeman said.  “It’s very nasty outside.”

“Come through into the living room,” I said.  “You’ll find it much warmer in there.”

He followed me through into the living room and I told him to sit down, which he did.

“Would you like something to drink?  A tea or coffee, perhaps?  Something to warm you up?”

“No, Sir,” the constable replied.  “I cannot stop long.  I want to get back to the village.  Before it gets too late.”

“Too late for what?”

“I meant the weather, Sir.  The roads will be blocked in a couple of hours at most, and I don’t fancy walking home.”

“Of course.”  I sat down in the chair opposite him.  “So, how can I help you?” I asked.

“Well, that depends.  How long are you planning to be staying in the cottage, Sir?”

“Two or three months, I think.  I have work to type up, and I’m not getting on very well at home, and so I have rented the cottage to give me some peace and quiet.”

“Ah! I see!” the policeman said.   “And you’re not from  around this area to start with?”

“No, not really.  We live in the city.  So about ten miles away.”

“I see,” he said, again.  “Well, I figured as much, and so I thought it would be a good time to come and have a little chat with you.”

“About what?  Have I done anything wrong?”

“Oh no.  Nothing wrong, Sir.  But with the weather as it is, I was wondering if you might be able to help us.  We are keeping an eye out for a young man, you see?  And I was thinking that you might see him?”

“I only arrived this morning,” I said.  “And I haven’t seen anyone.  Hardly surprising given the weather.  But I don’t think anyone lives close by, do they?”

“No, indeed.”

“So, has this young man gone missing?” I asked. 

The policeman seemed to tense up when I asked this question.

“Not yet, Sir,” he said, quietly.

I was rather surprised by his odd reply.

“Not yet?” I queried.

“Indeed, Sir.”

“But you’re expecting it to happen?  I’m afraid that I don’t understand.”

I wondered if I was being a bit slow on the uptake, but I believed that I was not.  Why would a policeman come to my door in order to tell me about someone that might go missing but hadn’t yet?   The conversation was not making sense.

The policeman took a moment to try and gather his thoughts. 

“We have reason to think that a teenaged boy of maybe seventeen or eighteen will go missing at some point in the following day or two, and that he will likely come here.”

I stared at him, and wondered if he was actually a policeman at all.   Perhaps I had inadvertently let a mad man into the cottage.

“Here?” I asked.

“I realise this sounds very strange, Sir,” the policeman went on.  “But the truth of the matter is that this has happened before in this kind of weather, and with the road to the village likely to be blocked by morning, we thought it was worth coming to see you in advance.”

“You’re telling me that when it snows, teenage boys go missing from the village?”

The policeman nodded his head. 

“That’s correct, Sir.”

“And they come here?”

“Yes.”

“Will this boy be dangerous?”

“Oh no, Sir, not at all.”

“How do you know?  He might have a concealed weapon.”

“That’s unlikely.”

“Why?”

“Because, in previous years, there have been no weapons involved.”

“Can I ask why this is going to happen?”

“I’d rather you didn’t,” the policeman said, rising to his feet.  “It would probably be for the best if I went now, or the car won’t get back along the roads.”

He walked back into the hallway, and I opened the front door for him.

“Look after yourself, Sir,” he said.  “And if the boy does turn up, it would be appreciated if you’d look after him.  Keep him warm, and all that.  Good night, Sir.”

And, with that, he was gone.

I shut the door and went back into the living room, rather bemused by the conversation.  If I was being totally honest, I would say that the policeman seemed thoroughly embarrassed by the information he had relayed to me, and  yet had seemed perfectly earnest.

I telephoned Susan and told her about the episode.

“Do you think someone’s playing a trick on me?” I asked her.

“Not on you,” Susan said.  “But on him.  I bet someone in the station had made a bet with him or dared him to come and tell you that story.  Something like that.  I’m sure that’s all it was.”

“Well, it was very bad timing,” I said.   “He could have had an accident getting here in the snow.”

“You know what some people are like.  They don’t think about things like that.  It was just a lark.  I bet that you’ll find out for sure before you come home for Christmas.”

I wasn’t quite so certain, but we said goodnight to each other, and ended the call.  It was around ten o’clock by this point and, although I was normally someone who didn’t go to bed until the early hours, I felt decidedly sleepy, and decided to turn in.  It had been a busy – not to mention, slightly odd – day, and I thought I would feel better the next day if I had a good night’s sleep.

Sadly, sleep didn’t come quickly, and I found myself lying awake going over what the policeman had said while he was at the cottage.  The more I went over it, the more I decided that it was not just some strange prank.  He had been genuinely worried that a young lad might try to come to the cottage in the snow. 

I got out of bed and went through into the room that I had made into my office.  I switched on the computer and, rather miraculously, found that the internet was still working.  I tried doing a Google search for missing teenagers from the village during previous winters, but I found none, although I realized that we hadn’t really had bad snow since the so-called “beast from the east” a few years back.  And so, I centred my search around that period in early 2018, in order to see if that brought up any results.  There wasn’t much, but there was a couple of small articles in the local newspaper.  The first one reported that a young man was missing from the village, and the second one, from a couple of days later, informed readers that he had been found a couple of miles away, and that he was suffering from hypothermia, but was expected to make a full recovery. 

I set about finding out which years had had heavy snowfall in the local area, and then seeing if I could find similar articles from the local newspapers about missing boys.  There certainly seemed to be some correlation, going back several decades.  There wasn’t always an article with every snowfall, but I assumed that the newspapers weren’t informed if the person had been found quickly.

The whole thing seemed very strange indeed, but I realised that I wouldn’t find out much more simply through using the internet.  I needed to speak to someone local who could give me more information. 

I had begun to get sleepy, and so went back to bed, but not before looking out of each window to make sure I couldn’t see a boy outside.

*

I woke up at about nine o’clock the next morning, and was quite surprised that I had managed to sleep right through the night, especially given it was my first night in the cottage and with the strange events of the previous evening.

The cottage didn’t have a shower, and so I ran a bath while I shaved and cleaned my teeth.  The hot water system was barely adequate, and so the bath needed a couple of kettles of boiling water to make it hot enough.  But once it was full, I soaked in it for at least half an hour, basking in the silence that was now only rarely present in my own house.  I loved my brother’s kids, but I loved the peace and quiet we had before they moved in with us, too.  I thought of this while I was laying there in the tub, and I felt saddened by my own selfish thoughts.  Those kids had lost their parents, and I was moaning to myself about the house being noisier. 

Eventually, I got out of the bath, got dressed, and went downstairs to fix some breakfast, opening the curtains in the downstairs rooms while I prepared the food.    The snow had been falling heavily all night, and it was still coming down.  When looking out of the kitchen window, there was no way of knowing where the garden path ended and the grass began.   The same was true out of the front window.  The garden, the footpath, the road and the field on the other side were all merged into one.  And standing about five or ten metres from the window, was a boy.

I had forgotten – or, at least, tried to forget – the weird visit from the policeman the night before.  A night of sleep had rather put it to the back of my mind.   I peered out of the window to make sure that he was really there, and not some strange optical illusion caused by the snow.  But he was definitely there, and staring directly at me.  He wasn’t moving, just standing still – not affected in any way by the cold weather, it seemed.  He wore no coat, and was there in his shirtsleeves and trousers.  I guessed that he was about eighteen years old, but it was difficult to be sure.     

I went into the hallway, put on some boots and a coat, and opened the front door.  It was like a blizzard.  It wasn’t just the snow, but the wind, which was blowing directly towards the house.  I was covered in snow in an instant.   But I had to go and get the boy indoors.

I went outside and pulled the door shut behind me.  As I trudged towards him, I saw that the boy wasn’t moving at all – not even shivering.  I thought for a moment that he might be dead already from the cold, but then I saw the breath coming from his mouth.  I grabbed hold of his hand, trying to lead him into the cottage.  He refused to move, as if he was in some kind of trance, and so I picked him up and carried him inside, closing the front door behind me.

By now, I could see that he was indeed about eighteen years old, slightly built, and, while he was wearing shirt and trousers, he had on neither socks nor shoes.  I put him down on the sofa in front of the fire while I worked out what I should do with him. 

My first thought was to call the police or an ambulance, but there was no mobile reception, probably due to the weather, and the house had no landline phone.  I ran upstairs and turned the computer on, but guessed that the internet would probably be down, too.  I wondered if I could get him to the nearest village for some help.  There would have been a doctor in the village.  But that was two miles away, and I had little hope that my car would get that far given the amount of snow there was on the road.  There was little doubt that my only course of action was to look after the boy myself. 

I tried to speak to him, but I got no response.  It was almost as if he was hynotised, with his eyes just staring straight ahead, and he didn’t seem to know that I was there.  

I turned up the heating in the house.  I didn’t really care if it was going to be unbearably hot for me, but I needed to get his body temperature up.  That was about all I knew when it came to what I thought could be hypothermia.    I went upstairs and took the quilt from the bed and brought it downstairs, but it was no use covering him with it if he was lying there in wet clothes.  I felt bad doing it, but I took off his clothes, and dressed him in a pair of my own pyjamas before covering him with the quilt and drying his hair with a towel. 

“What were you doing out there?” I asked.

I didn’t expect a response, and  I didn’t get one.  

“What’s your name?” I asked him.

Again, there was no response, but my efforts were to try and bring him around from whatever trance-like state he was in.    I went into the kitchen to make some tea, thinking a hot drink would help to warm him up.  I checked on him every now and then while I did so.  There seemed no improvement in him until I brought the cup of tea up to his lips and he almost instinctively took a sip, and his eyes looked into mine.  I started to believe that I might make progress after all.   I didn’t get him to drink all of the tea, but at least he had some of it.

I confess that I was somewhat curious as to who he might be, and so I went through his trouser pockets in search of some identification.  I found a set of keys and a couple of tissues in the front pockets, and a wallet in the back one.  Upon opening it, I came across a driver’s license that informed me that the young man on my sofa was Benjamin Haydn and that he was nineteen years old.  I put the wallet back into the pocket and walked back over to him, kneeling down on the floor beside him.

“Benjamin?” I asked, hoping that there might be some sense of recognition to his name, but I detected none. 

I was still unsure what to do with him, but with no working phone or internet, and the snow too deep for me to transport him either home or to a doctor, I decided the best thing that I could do was to simply keep him as warm and comfortable as I could.  Bearing this in mind, I took him off the sofa, carried him upstairs, and put him down on my bed, covering him up with the quilt.  I didn’t know what else to do, and this action seemed the most sensible. 

I went back downstairs, and switched on the television.  There wasn’t much of a reception.  There was a signal one minute but not the next, but I did manage to catch a few moments of the news, which usefully told me about the heavy snowfall that I was already very aware of.  There was an emergency number to use, but that wasn’t exactly helpful given that the phones weren’t working. 

I decided that the best thing I could do was to kill some time by writing up some of my monograph while we still had electricity.  I went back upstairs and sat down at the laptop and switched it on.  While it booted up, I gazed out of the window at the rather splendid view.  The snow had stopped falling – at least, for the time being – and it made it easier to see how great the snowfall had been overnight, as well as how cut off the cottage was.  

The window of the bedroom I was using as my office faced the back garden, and I wondered, perhaps for the first time, just why that large expanse of land hadn’t been built on since the fire that had destroyed the old school.  I was sure that the letting agent had told me that the fire had happened some fifty years ago.  It seemed odd such a prime piece of land remained unused.  It officially came with the cottage, but clearly no-one had made any attempt at using it as a garden.  It was just a mess of overgrown weeds on the other side of the small fence that once had marked the territorial boundaries of the cottage. 

Once the laptop had started up, I tried to concentrate on my work, while checking on my guest every hour or so.  I got a surprising amount of work done.  The house was deathly quiet – I didn’t put music on for fear of waking up Benjamin – and no vehicle came past the cottage due to the snow.  I assumed that a snow plough would reach me eventually, but I feared it might be a day or two away.  I was just thankful that we still had electricity.

After typing up four or five pages – almost a record for me in the given time frame – I went downstairs to make myself another drink and to try to come up with something that I fancied to eat.  I thought I would probably make do with a tin of soup, and use up some of the bread that I had brought with me the day before. 

It was as I was standing at the fridge that I heard footsteps from upstairs, which eventually made their way down the staircase.  I went into the living room to find Benjamin standing at the bottom of the stairs.  I smiled at him, in an attempt to be as unthreatening as I could possibly be.

“Hello,” I said.

My guest looked at me, but seemed confused.

“Where am I?” he asked. 

“You’re at a cottage about two miles from the village,” I told him.   “I found you outside in the snow this morning.”

“Why was I out there?”

“I don’t know,” I said.  “I’m sorry.  A policeman came here last night and pretty much told me to expect you.”

“He told you that I would come here?” Benjamin asked, understandably bewildered.

“Not you, specifically.  Just someone.  A young man, he said.  He told me that this happened quite regularly when there was this kind of weather in the area.”

At this comment, there seemed to be some kind of recognition in his face.

“So, this is the old school cottage?” he asked.

I nodded.

“Yes,” I said.  “How do you know?”

He looked as if he was feeling faint, and he grabbed hold of the banister at the bottom of the stairs.

“Why don’t you sit down?” I said, and guided him into a chair, which he almost collapsed into.  “Would you like something to eat or drink?  Something hot?  Tea or coffee, perhaps?”

“Tea would be nice, thank you,” Benjamin said.

“Anything to eat?” I asked him. 

He thought for a moment, not quite sure.

“I was going to have some tomato soup,” I said to him.  “Would you like some of that?”

Benjamin nodded his head.

“Yes. Thank you.”

“I’m Paul,” I said to him, as I went back into the kitchen.

“I’m Benjamin,” he said.

“Yes, I know.  I found your wallet.   I would have informed the police or got you a doctor, but all the phones are out.  And my car wouldn’t get through the snow.  So, I’m afraid you’re stuck with my company for a few days, possibly.”

He smiled at me.

“I’m sorry for the inconvenience of having me here,” Benjamin said.

“It’s fine,” I told him. “I’m just glad you are OK.  You didn’t even have a coat.”

I handed him his cup of tea.

“Thank you,” he said.  “They never have a coat.”

“They?”

“The people who are found here at the cottage.  I guess I’m just lucky that you were living here and saw me.  A few years ago, this happened and the boy died.”

“So, you know what all of this is about?” I asked.   

“Yes.  All of the villagers know about it.  But sometimes when this happens, it’s kept quieter than others.”

“Why?”

“It’s a long story,” Benjamin said.

We agreed that he would tell me the story after we had eaten. 

Benjamin said that he wasn’t particularly hungry, and yet he ate his soup quickly.  I asked him how he was feeling, and he said he was tired, but otherwise he felt OK. 

“You’re lucky,” I said.  “I really didn’t know that you were going to get better without proper treatment when I came across you this morning, but I’m guessing that you hadn’t been out there as long as I first thought.”

“I don’t remember anything about it,” he said.  “I remember getting out of bed at some point last night, and then waking up in your bed an hour or so ago.  I don’t remember anything else about it.  Perhaps it’s for the best.”

I agreed with him.  He sat there in silence for a few seconds, and then he took a deep breath and began his story.

“It’s all to do with the school that was here,” he said.  “Nobody really remembers it in the village.  It closed down just before the start of the Second World War, and so anyone still around would only have been young children back then.  I guess someone in their nineties might have a memory of it, but there’s only one person of that age in the village that I can think of, and she doesn’t have much memory of anything.”

“Why did it close down?” I asked.

“There was something of a scandal.  I guess that’s what you’d call it.  The man who ran the school was known in the village for being something of a tyrant.”

“He didn’t treat the kids well?”

Benjamin nodded.

“Something like that.  But he didn’t treat the teachers well, either.  Or anyone else who worked at the school.  Stories spread about him in the village.  They still do, but I don’t know how many of them are true and how many are gossip.”

“That’s always the case,” I agreed. 

“There were a couple of young people about my age working there, so the story goes.  They had been pupils there, and they stayed on there to help out.  Probably looking after the building or something.”

“Maybe even some teaching,” I told him.  “There were less regulations back then.”

“They lived at the school,” Benjamin said.  “That’s what I’ve been told, anyway.  It was the middle of winter, and the weather was like this.  The headmaster of the school went to find them late one night.  Nobody really knows what he wanted – it was probably just to speak to them about keeping the school warm or something like that.  But the story says that he found them together.  In bed, presumably.  He went mad, and sent them outside into the snow as a punishment, and made them stay there.  Just in whatever they were wearing.  No hat or coat or boots or anything.  He made them stand in the grounds all night and into the next day.  It was only when one of them collapsed that the other teachers got together and went against the headmaster.  The boys were brought in, but one of them died.  The headmaster was removed from the post, but I don’t know if he was charged with any crime.  The school closed down shortly after.”

It was a horrible story, but I had little doubt that it was true. 

“And now,” I said, “whenever there’s the same kind of weather, a boy from the village finds himself re-enacting what happened to the two young men back then?”

Benjamin nodded. 

“Yes.  Not just any boy of the same age.  It’s only those that are gay.  That’s why there have been times when it has been hushed up.  There were always stories that these things happened,  but often the people involved didn’t want it known.  Being gay in a village is still not always easy once people find out and the gossip starts.”

“And what about the school burning down?  Do you know anything about that?”

“Possibly.  It’s said that a boy died of hypothermia after being drawn to the school and standing outside in a blizzard, and that his mother or father came here in a rage and set fire to the main school building.  It’s only a rumour, though.  Village gossip.”

I sat there quietly, trying to take in the story that I had been told.  I had never been a believer of ghosts and the supernatural, but there must have been something in the tale for it to have been kept alive for eighty years – and for the local policeman to have come and warned me the previous evening.

“People in the village know that I’m gay,” Benjamin said, as if he was reading my thoughts.  “I reckon that’s why Harry came to see you.”

“Harry?”

“The policeman in the village.  He would know that I was gay and the right age, and that I could end up here considering the weather.”

“You told me that one of the people who ended up here died?” I said.

“Yes,” Benjamin said.  “That last happened five or six years ago.  Maybe a bit longer.  There was no-one in the cottage then.  Nobody’s lived in it for many years, but the owner died, and his family has decided to let it.  You’re the first person to live here for many years.  Lucky for me that you were here.  I could be dead, otherwise.”

*

It was another three days before the snow stopped falling completely and the snow plough reached us.  Luckily, the phone signal had returned prior to that and so Benjamin had been able to call his parents and tell them that he was safe.  He did a very good job of staying quiet during the day while I did some work, and then we ate dinner in the evenings and watched a film on the television. 

When I took him home, his mother was overcome with emotion, and didn’t stop thanking me for my efforts during the time I was there.  She tried to get me to stay to dinner, but I told her I needed to be getting back to Susan and the kids.  The incident in the cottage had made me feel as if I wanted to see them at the earliest opportunity – and I felt guilty for sometimes thinking of them as a distraction to my work. 

Before I left the village to go home, I stopped off at the small police station in the village, and thanked Harry, the constable, for having called on me during my first night in the cottage, in order to prepare me for what happened.

“Think nothing of it,” he said.  “I am just sorry that I didn’t think I could tell you the whole story at the time.  But I was worried you’d think I was barking mad.”

“Well, you probably saved young Benjamin’s life by coming to see me,” I told him.

“Well, at least something came out of the visit.  But you can only do so much, and I feel so bad about Martin.  His parents are distraught.”

I was confused.

“Martin?” I asked.  “Who is Martin?”

“Why, he’s Benjamin’s young man, Sir.  He went missing from the village on the same night, but nobody has seen or heard from him since.  I have to break that news to young Benjamin, now that he is home.  I didn’t feel it was right to tell him on the phone when he called us from the cottage to say that he was fine.  In all honesty, I have a horrible feeling that we won’t find Martin until the snow has melted.” 

I wondered if I could have helped Benjamin’s boyfriend, too, if I had only looked out for him.

When I returned to the cottage in the new year, I learned that Martin still hadn’t been found, even after the cold spell had ended.  Benjamin told me that he was hoping that his boyfriend had simply run away, but neither of us really believed that to be the case.

Welcome to Marlington: Opening Chapters

Welcome to Marlington: On a cold February day, a man is brutally murdered in a park during the evening rush hour, and a small black book is left beside his body. The horrific attack rocks the peaceful city of Marlington, but it is only the beginning of an unprecedented crimewave, with the mysterious book left behind after each crime. At the same time, copies of the book start to get into the hands of the general public, bringing with them chaos and violence. As events spiral out of control, a small group of people find themselves at the centre of the storm, and begin to realise that the stories of supernatural creatures living in the city could be true after all.

The “overture” and first chapter of the novel can be found below. It is available to purchase on all Amazon sites in both ebook and paperback formats.

OVERTURE

The city of Marlington, situated around thirty miles from the English east coast, has a reputation of being one of the most picturesque cities in the country, and that reputation is well-earned.  There are more trees and green spaces than in any other town or city in England.  This fact is proudly displayed on all of the signs at the city’s borders, below the words “Welcome to Marlington.”   It is one of the few places where one can come out of the main indoor shopping mall and be able to enter a park after a walk of less than one hundred metres.  To add to this, it has more than its fair share of historic buildings and sites of interest, from the Roman city wall through to numerous houses and pubs that date back up to seven hundred years.  It is no surprise that it remains a popular tourist destination.

Marlington Castle sits on a man-made mound in the centre of the city.  The imposing Norman structure looks down from its vantage point, as if keeping a watchful eye on the people below as they go about their daily business.  The building has had a varied history, starting off as a royal palace before becoming the county gaol in the 15th century.  During its four hundred years as a prison, it housed some of the most infamous criminals of the time, and was the site of many hangings, some of which were watched by crowds in their tens of thousands.  But that was a long time ago.  For the last one hundred years it has been home to the city library, with a significant special collection of local interest books, papers and artefacts that has attracted researchers and scholars not only from across the region, but also from across the country – and  even the world.  Some of the books housed there date back over seven hundred years, and the library prides itself on having the facilities to keep such priceless items in an archive room with perfect storage conditions. 

Directly below the castle is the main shopping district of the city, much of which was rebuilt after World War II due to the damage caused by air raids.  Some of the most popular stores of the time had their premises destroyed on a single night in 1942 when the bombings led to a fire that spread quickly down the main high street and into the centuries-old marketplace.  Temporary accommodation was found for some of them, and one department store set up a makeshift shop in a number of double-decker buses in the store’s car park while it waited to find a new home.   Marlington suffered more during the war than many other cities in the same part of the country.  Over two thousand homes were destroyed, and the civilian casualties reached almost five hundred.  But, by this point in its history, Marlington was quite used to disaster.

Below the shopping area of the city are a warren of so-called underground streets that were rediscovered relatively recently.  These were originally not underground at all, but were built over in the late 1800s with the shops and other buildings that are now at street level, when an effort was made to fill in the defensive ditches that surrounded the castle.  There are also rumours of a maze of underground tunnels running under the entire city, some of which are said to lead directly to the dungeons of the castle.  None of these have yet been found, but neither have the funds needed to search for them.  Perhaps one day they will give up their secrets.   

A relatively short walk north from the shopping centre will bring you to the city’s cathedral.  It is an imposing building with gothic architecture, built in the late 1800s following a fire on May 8th, 1864, that caused so much damage to the Norman cathedral that had stood there for eight centuries that the structure as a whole became unsafe and had to be demolished.  Much of the stone from the first cathedral was re-used in the second, and the few stained-glass windows that survived the blaze were also transferred to the new building. The cause of the fire remains a mystery, but it claimed several hundred lives after taking hold during a service on that fateful Sunday morning, and it remains unclear as to why the congregation at the service couldn’t get out before the fire had spread.

Many local residents still believe that May 8th is an unlucky day, not just because it was the date of the cathedral disaster, but also because the 1942 air raid that resulted in the major fire on the high street also took place on the same day.  One local researcher, Cecilia Masters, even spent several weeks in the special collection in the library in the 1950s, looking back at May 8th through the centuries in the hope of rubbishing the idea that the day was an unlucky one for the city.  However, she found that there were many more murders, accidents, and riots in Marlington and the surrounding area on that day of the year than on any other.  Miss Masters’ work was not published until eight years after she committed suicide (on May 8th, 1963), at which point it was sent anonymously to the local newspaper.  The newspaper was heavily criticised by some readers at the time for making the information public, with many stating that they thought the publication was giving column inches to nothing more than a set of morbid coincidences.   Coincidences or not, Cecilia Masters’ findings were uncomfortable reading.

To the east of the city is a large area made up of woodland and heathland, which has also seen much bloodshed through the centuries.  Back in the 13th  century, it was the site of a particularly heinous murder, the news of which spread far and wide across the country, and made the city of Marlington famous for all the wrong reasons.   A book was written not long after the murder, accusing a small community living on the outskirts of the city of committing the crime.  Despite the accusations not being true (and motivated by pure religious hatred), a large group from Marlington went after them for revenge, burning down their houses one night, and killing more than thirty people.

During the English Civil War, the same area was the site of the infamous Battle of Marlington Heath, fought between the royalists of the city and a force of parliamentarians.   It is said that over three thousand people perished during those three days, and this is reflected in the change in population figures for the city during the same period.    Today, this is a popular site for picnickers, walkers, and cyclists, but there are regular reports of unusual sounds and manifestations.   While some have ultimately been explained away, there are several photographs and, increasingly, video footage that have yet to find a logical explanation.  These have been discussed endlessly on internet sites, and some have even made it into the national tabloid press.  Attempts were made by a popular ghost-hunting television show to film in the area in order to investigate the apparently-supernatural events, but their equipment failed them each time they tried to film.

It is fair to say that Marlington has more than its fair share of hauntings and local myths and mysteries, and the so-called ghosts of Marlington Heath are only a small part of that.  Many visitors to the Castle Library have reported seeing strange apparitions, particularly on one of the main staircases and, perhaps more unnervingly, in the lift, where a hangman’s noose is sometimes seen, suspended in midair, when the doors open.   The sound of rattling chains and banging doors have been heard by those who work in the library during the day, and by the security guards at night.  Elsewhere, ghostly monks have been seen in St Cecilia’s Hall, a concert venue that incorporates the remains of an old monastery.  Also, a spectral dog-like creature with large teeth and a foaming mouth has been seen in a number of sites around the city, including in some of the parks and wooded areas.  Most people assume it is just a wild animal, but not everyone is convinced. 

Perhaps most unusual for an English city in the 21st century is the legend of the “drager,” a term that appears to derive from the Norse word “draugr,” used to describe a type of demon or undead creature.  The Marlington dragers are said to be vampire-like creatures that don’t feed on human blood, but on death and misery itself.  Local folklore tells us that these creatures feed sporadically by, for example, causing disasters with a significant loss of life, and they then live among us unnoticed.  However, over time, they are said to grow weaker and have to retreat from society as their physical appearance changes, having to bide their time until they have no strength left, and it is only at that point that they can then feed again.  There are still people in Marlington and the surrounding villages that believe these stories, probably due to the local history of fire, battles, murder, and plague.

One can perhaps appreciate just how seriously the myth of the drager has been taken in this part of the country when you travel to the west of the city centre, where there are roads named “Drager Avenue” and “Drager Way.”  These are situated in the area of Marlington now dominated by student housing, where landlords have bought up most of the terraced housing near the university, and rent it to students at inflated prices.  The average three-bedroomed house with lounge and dining room is generally rented out as a five-bedroom property, so that more income can be generated. Perhaps the names of Drager Avenue and Drager Way are apt in an area where students’ bank balances are bled dry by vampiric landlords.

We can’t end our little tour of Marlington without mentioning the river that flows through the city.   The River Marl connects the city to the North Sea some thirty miles away.  At one time it carried a great deal of commercial traffic to and from Marlington.  The river has been the subject of many landscape paintings, especially at the point where it runs alongside the grounds of the cathedral, a particularly beautiful spot where many holiday makers now like to moor their boat for a night or two when they spend a week cruising the network of waterways in the area.  There is also a public footpath following the river as it winds its way from the east of the city to the west.   Even this is said to be haunted by a woman who jumped in the river when committing suicide.

But, for now, we must return to the shopping area.  On a side street, not far from the newly-renovated bus station, is a large building built in the late 18th century that has been the home of the famous Marlington Insurance Company for close to two hundred years.   It is the workplace for hundreds of city residents and often for students who temp there part-time so that they can get a little extra cash to keep them afloat. 

So, let us make our way through those famous revolving doors that have appeared on so many television commercials for the company, walk through the foyer, get in the lift, and press the button for the fourth floor.  When we exit the lift, we need to take the corridor to the left, which leads us straight into a large open-plan office area where close to fifty workers sit at their computers, inputting data or talking to customers (or potential customers) on the telephone.  On the far wall is a tea and coffee machine and a vending machine containing chocolate, crisps and protein bars – after all, workers getting their fill of caffeine and sugar have more short-term energy than those without.  Above the machines is a giant clock, which many of those in the office watch from the moment they arrive in the morning until the moment they leave at night. 

In the centre of the office space, a middle-aged man sits at a computer.  His name is Aaron Melton, and it is his untimely demise that begins our story

PART ONE

ONE

The clock on the computer changed from 16:59 to 17:00.  At that precise moment, the unlikely named Aaron Madison Melton took one of the Marks and Spencer mints from the little green tin on his desk and popped it inside his mouth, lodging it between his teeth and his cheek with a little help from his tongue. 

This was the ninth and last mint that he would have while at work that day. He repeated this small but precise routine every hour, on the hour, during each working day.  He wasn’t quite sure what the repercussions would be if he didn’t do this, but he didn’t want to find out either.  He knew that many people with obsessive compulsive disorder  thought harm might come to their families if they didn’t carry out their self-assigned tasks with precision, but Aaron Madison Melton did not have this precise fear.  

He didn’t have much family to speak of anyway, other than Judy, his sister – and he couldn’t remember the last time he had seen her.  She had made a concerted effort to not see Aaron for some years.  Perhaps the last time they had met had been at their brother’s funeral.  He had thrown himself in the River Marl without warning one day eight years earlier.  Or was it seven?  Aaron wasn’t very good with dates.  His brother hadn’t died in the river, however, and so had thrown himself in front of a train a week later.  Judy had blamed Aaron.  After all, he lived in the same city as his brother and so, in her mind, should have been able to stop the tragedy.   The fact that waiting lists for mental health treatments made it impossible for her brother to get treatment after his first suicide attempt was something that hadn’t crossed Judy’s mind.

So, no, Aaron wasn’t concerned about a family tragedy occurring if he didn’t keep to his mint schedule.  He just knew something bad would happen.  No-one, including himself, knew why the mint routine was only a requirement between 9.00 and 5.00 each day, and little progress had been made in attempts to break with the routine.  He wasn’t that worried; he knew people with considerably more disabling OCD habits than sucking on mints and was glad that he did not have to deal with them.

Aaron logged off from the computer in front of him and then pushed back his chair, stood up, and put on his jacket.  It had seen better days.  The pockets had holes in them, and there was a small rip in the back.  It could do with a wash, too, but that would mean wearing a different jacket for a couple of days, and Aaron didn’t like the idea of that very much.  He liked this one and he felt comfortable in it, rain or shine.

Various goodbyes were muttered to Aaron as he picked up his large umbrella and walked out of the office. 

Despite his often-peculiar ways, he wasn’t disliked by his work colleagues at the Marlington Insurance Company.  He was, perhaps, viewed as something of a “character,” but he kept himself to himself and he did his work as required each day, and hadn’t had a day off sick in six-and-a-half years.  Aaron was reliable; there was no doubt about that.  Jokes were made about him behind his back, but they were good-natured – or as good-natured as jokes made behind backs can be.   A boy who came to the office once as part of his school work experience commented to one of the workers that Aaron looked and acted a bit like a stereotypical serial killer.  It was unlikely that many disagreed with him but, all the same, the boy was barely spoken to by anyone in the office for the rest of his time there.  They did not like people speaking badly of Aaron.

Aaron waited for the lift and then made his way down four floors before going outside and starting on his walk home, using the golfing umbrella as if it were a walking cane. 

Aaron hated his name.  There were lots of things about himself he could hate.  He was no stunner when it came to the looks department, that was for sure, although he was proud of himself for losing three stones in weight over the last eighteen months.  And he certainly could hate himself for having remained single for all of his forty-eight years, only ever having been kissed when someone was dared to do it just before he left school.  It went without saying that Aaron was  a virgin.  He had thought at one point about paying for sex in order to experience it at least once in his life.  However, deep down, the idea of sex rather revolted him, and he was certain that he would be useless at it anyway.  Bearing that in mind, he used the money to go to the theatre instead.  Aaron liked the theatre, especially when it was half empty, and he didn’t have to sit close to anyone else. 

Despite his bachelor status, his looks, and his non-existent sex life, it was still his name he hated most.  It didn’t suit him; it didn’t feel like his.  What’s more, his name was a constant reminder to him of his parents having sex. 

His parents had travelled to New York in June 1972 in order to see Elvis Presley perform at Madison Square Garden.  After the concert that evening, Marjorie and Graham Melton returned to their hotel room and Aaron was the end result.  Aaron had been named after the person the newspapers that week had called a “prince from another planet,” and the place in which his parents had seen him perform.  Aaron often felt like he was from another planet.  To make things worse, his parents had owned the album of the concert they had seen and which was indirectly responsible for Aaron, and had often played it, reminding him that, if it wasn’t for that concert, he might not be there at all.  When he was fourteen, he brought a school friend back to the house (his only school friend, as it happened).  His parents played the album for him too, telling him the full story that went with it.  The boy never came back, and barely spoke to Aaron afterwards. 

Despite his rather unorthodox upbringing, Aaron grew up relatively “well-adjusted”.  That was the term his counsellor used, anyway.  Aaron preferred the blunter “normal”.  He had been a loner, yes, but he had always liked his own company, and so that didn’t bother him.  And he had gone to university, too, even gaining a doctorate. 

It had been ten years ago, just after his thirty-eighth birthday, that a traumatic event occurred from which Aaron had never quite recovered.  He had seen a young homeless man being attacked in the park, and had failed to chase off the attackers, with the man dying in Aaron’s arms while he waited for the ambulance to arrive. His co-workers knew the basic story which had been passed from colleague to colleague over the years, and that, in part, was the reason why Aaron was accepted by those around him, despite the fact he had what his sister called “issues.”

He whistled as he walked down the street.  Not Elvis, it should be said.  He had never shared his parent’s passion for the King of Rock ‘n’ Roll.  Perhaps that Madison Square Garden album had been played too often when he was a child.  No, light opera was more Aaron’s bag, and today his song of choice was When the Night Wind Howls from Ruddigore.  He wasn’t quite sure where he had dredged the song up from, and had not listened to Gilbert and Sullivan in quite some time – not since he was at the local G & S society and mistakenly thought a new member was flirting with him.  It turned out that wasn’t the case and Aaron was too embarrassed to ever return. 

He missed the yearly productions, and he liked to think that they missed him too.  He thought that he could certainly hold a tune, and had an excellent memory for the lyrics of the patter songs.  He was certain that his turns as John Wellington Wells and the Modern Major-General in The Sorcerer and The Pirates of Penzance respectively were the highlights of those shows.  Not all of those who had seen the productions thought the same. 

As was his custom (and he was a man of habit), Aaron took a slight detour down St. William’s Street so that he could make a stop at Gregg’s.  The temptation was too much. 

He looked with some dismay at the number of empty buildings on what was traditionally Marlington’s busiest shopping street.  Some had been empty for a long time, like the massive shop that had been British Home Stores until 2016.  It had been used for a while as a temporary home for Next while they performed building works at their own store, but now it was eerily deserted.   Other shops had shut their doors during Coronavirus lockdowns and never re-opened.   The old Argos store was a case in point.  A couple of years earlier, it had still been one of the busiest shops during the Christmas period, and now it wasn’t open at all.   Each time Aaron passed the empty shops on the way home from work, he wondered why good use couldn’t be made of the empty buildings.  There were people sleeping on the streets, and yet there were huge unused spaces like these which were left deserted.  Aaron often thought about people who lived on the streets. 

When he came out of Gregg’s (Aaron was very pleased that they had reopened after lockdown), he had a small loaf of freshly baked bread in his bag and a hot sausage roll in his hand that he ate in a way that made him considerably less attractive than he already was.  By the time he reached the underpass, the only visible evidence that there had ever been a sausage roll at all were the small remnants of flaky pastry that inadvertently clung to his lips.  He wiped at his mouth and walked through the underpass quickly, heading towards Finch Gardens, a park that would cut around ten minutes off his journey if he walked through it. 

He started his walk through the park.  There were relatively few people there, with it still being mid-February and there being a particularly biting east wind.  Snow had been forecast for the weekend, something that Aaron was not looking forward to.  The kids on his road were not to be trusted in such weather.  He laughed when they threw snowballs at him, but hated every moment of it.  During the most recent snowfall, Aaron had awoken to the sight of a snowman with a giant penis in his front garden.   While many would have found it amusing, Aaron found it distasteful.

Aaron smiled broadly at a man coming towards him who was walking his cocker spaniel.  He smiled at the dog, too.  The man didn’t smile back; even the dog didn’t take any notice of him.  Aaron shrugged his shoulders with indifference and continued his walk through the park.

He wasn’t sure at what point he first heard the noise, but he had become aware of shouting coming from the far side of the park.  He looked across and saw a group of teenage boys who he assumed were playing a game of some kind.  Probably football.  A bit cold for such things, Aaron thought, but kids seemed to be immune to the temperature. 

He continued walking, but as he did so he felt a growing sense of unease about the boys.  If they were playing football, he couldn’t see a ball or any makeshift goal.  What he could see was another boy on the ground, in a fetal position with his hands covering his head.  He stopped and watched, and saw that the boy was being beaten by the others.  He was just lying still on the floor while they kicked and spat at him, and yelled obscenities. 

Aaron wasn’t quite sure what he should do, but knew that he had to do something.  Memories came flooding back to him of the incident ten years earlier.  He wasn’t about to let this boy die in the way that the homeless man had.  Instinctively, he left the footpath and walked quickly across the grass to the boys.  He held his umbrella out in front of him and found himself shouting, “Oi, you!  Leave that lad alone!” He had no idea where or how he had found the nerve to shout at the boys; it was quite an achievement for someone who kept to himself so much.  However, his words didn’t seem to make any impact, and the beating of the boy on the ground continued.

Aaron picked up his pace, and shouted again.  This time, the boys stopped and looked at him. 

“Leave that boy alone!” he shouted at them for a second time.

“Piss off!” one of the attackers shouted back.

“I will call the police!” Aaron said.  “I have my mobile phone.  Look!”

Aaron was still extremely proud of the fact that he had finally  entered the new millennium and obtained a small mobile phone.  He had done so some twenty years later than most people, but it was a milestone for him. 

The boys left their victim curled up on the ground and walked over to Aaron.  The leader got up close to him, grabbed the mobile phone from his hand, threw it down on the ground, and stamped his foot on it repeatedly.

“I told you to piss off,” the boy spat in Aaron’s face. 

“I want…want the name and address of your parents,” Aaron stammered, rather shocked at his own bravery.  “They will have to pay for the damage to my mobile phone.”

“Oh, will they?” the boy responded, before punching Aaron, first in the face, and then again in his stomach. 

Aaron was not in a physical state to be able to defend himself, despite the weight loss that he was very proud of.  He collapsed to his knees, and his umbrella fell on the ground beside him. 

At that moment, another boy came forward and kicked him in the face, which resulted in Aaron lying flat on his back on the cold, wet grass.  Unlike the boy whose beating Aaron had tried to stop, he was not savvy enough to try to shield himself from the punches and kicks that followed.  They probably only lasted for a couple of minutes, but it seemed like hours to Aaron before he lost consciousness while wondering why no-one had come to try to intervene. 

By that point, Aaron’s face was a bloody mess, and several of his ribs were broken.  What ultimately killed him, however, was when the leader of the gang picked up Aaron’s umbrella and drove it repeatedly into his stomach. 

Aaron lay still on the ground, the life draining from his body.  Nobody had run over to help him.  Nobody had called the police.  Nobody in the park that day had dared to; they didn’t have the same bravery that Aaron exhibited when he went to the aid of the young boy who he had seen being beaten.

The teenagers looked down upon the lifeless body, almost as if they were unable to comprehend quite what had happened.  After a few seconds, the leader took a small black book from his pocket, placed it carefully on the ground beside Aaron’s body, and then he and his friends walked off.   

Sir Michael Parkinson (1935-2023)

There have been many tributes today following the passing of chat-show king Michael Parkinson, celebrating his style, his intelligence, and his humour – all of which is much deserved.

There were two eras of the Parkinson show, the first running from 1971 to 1982, and the second from 1998 to 2007. While the format of the programme remained exactly the same in these two different eras, the show itself was quite different, for, in its second incarnation, most guests were only going on TV to sell something – they were promoting an album, a book, or a film. That wasn’t the case the first time around. While Parky was always more than capable of getting the best out of a guest on any particular occasion, those guests had to be willing to want to talk, and talk in a serious fashion.

If the 1970s/early 1980s incarnation of Parkinson was a talk show, the 1998-2007 return was more a light chat show on the majority of occasions. This wasn’t Parkinson’s fault, of course. Times had simply changed, and the star system had changed, too. Tom Cruise, Madonna, and Tom Hanks are not Orson Welles, Peter Ustinov, or Bette Davis. By the time of the second run of Parkinson, the age of the raconteur, of the serious conversation on prime time television, was pretty much dead. There were still names that could deliver, and who would simply go on the show for the right reasons: to talk. But there were fewer, and the conversations rarely seemed so deep as they were first time around.

Orson Welles talking candidly about his experiences of Hollywood.

There were still many highlights in the 1990s and 2000s, but it is probably fair to say that it was the earlier run where Parkinson’s really important interviews took place (although as someone in love with the first five or six decades of cinema, perhaps I’m just a tad biased). I say “important” because lengthy, serious interviews of great stars and characters whose careers often dated back to the 1910s were few and far between. There was Dick Cavett in the US, but it’s fair to say that Parkinson’s more relaxed, genial front probably got people talking more candidly. The great stars such as Gloria Swanson, Orson Welles, James Stewart, Shirley Temple, David Niven, Ingrid Bergman, and Bing Crosby opened up in a remarkable way in front of Parkinson. He was intelligent with his questioning, and they were intelligent and thoughtful in their answers. And those interviews really are a goldmine for fans and scholars of film and music from the first 60 or 70 years of the 20th century – far more important than the scores of interviews they would have done at the height of their stardom under strict instructions from their studios.

It’s remarkable to look at the list of stars that appeared in, for example, the 1972 series: Robert Mitchum, Tony Curtis, James Mason, Shirley Temple, Gore Vidal, John Gielgud, W. H. Auden, Annie Ross, Jack Lemmon. As the years pass,ed we must assume that Parkinson got a name for himself not amongst audiences but amongst stars, and that’s when the older stars flocked to his swivel seats for an hour-long chat: Duke Ellington (not long before he passed away), Gene Kelly, Bette Davis, Fred Astaire (on three occasions), Gloria Swanson (twice), Mickey Rooney, Dirk Bogarde. It’s probably quicker to list the people who didn’t appear on the show during that era than those who did. It’s also probably fair to say that the only two major stars he never got to chat to were Frank Sinatra and Elvis Presley. Parky viewed Sinatra as the “holy grail,” and not interviewing him was a big regret, he but didn’t the feel the same way about Elvis. We all have our faults.

The reason why those interviews are so essential is because Parkinson was so damned good at what he did. He learned early on that the key to being a talk show host is to listen. So many interviewers on TV today could learn from that (particularly political ones). Check out the interview with Joseph Bronowski, and how little Parkinson says during it.

Dr Joseph Bronowski and the largely silent interviewer.

But he also loved and encouraged debate, such as that wonderful moment where he gets embroiled in a political argument with Kenneth Williams. It’s a stunning, classic piece of television. Who could imagine Jonathan Ross or Graham Norton getting involved in such a discussion, or even encouraging an intelligent conversation like that in the first place. Ross and Norton are great at what they do, but sadly there is no-one really doing what Parkinson did back in the 1970s and early 1980s – not just with Kenneth Williams, but also with Mohammed Ali, of course…and many others. There’s also the fact, of course, that the show often put together the most unlikely mix of guests, and then sat back to see what happened. Here we have Kenneth Williams with Maggie Smith and Sir John Betjeman. A Carry On star with the poet laureate – hardly the most obvious combination in most circumstances, but Williams was talk show gold – well-read, feisty, funny, intelligent, and quite happy to be controversial. And who else would have Muhammad Ali and Freddie Starr sitting next to each other?

Those interviews keep getting wheeled out on the BBC and on YouTube because they were must-see television, they are classics of their kind, and it’s unlikely we will ever see their like again. Is that because stars of today want to mould their image so carefully – and probably have to, as any slip they might make in a serious interview would haunt them forever on YouTube and Twitter? Would Tom Cruise ever share his feelings on an important matter in the way that Williams did? Or is it because audiences don’t want to see that kind of interview? Do audiences want to hear Tom Holland’s thoughts on life and politics, or do they just want to hear him name-dropping and telling us about how he felt in a spider-man suit for the first time? It’s probably a case of both. And I should add that I’m not singling Holland out there for any reason other than he popped into my head. He’s an intelligent guy, but what we want from our stars seems to have changed. We do occasionally see those kinds of interviews with actors on Sunday morning politics shows in the UK, but they are banished from prime time television.

Fred Astaire, 1976.

Somehow, in some way, Parkinson knew almost instinctively how to bring out the best from his guests, whether they were classical actors, comedians, or scientists. It didn’t matter. In a lengthy interview with Barry Humphries (screened again recently following Humphries passing), he even manages to get the creator of Dame Edna Everage to speak candidly and openly.

Parkinson interviewing the late Barry Humphries in a rare talk show appearance as himself.

When Michael Parkinson passed away today aged 88, he didn’t just leave behind hundreds of hours of entertaining television, but a contribution of hundreds of hours of social and cultural history. That is his real legacy. No doubt, the BBC will wheel out the same six episodes of the Parkinson show that it always does as a kind of tribute (edit: they are doing exactly that!). But what Parkinson really deserves is an uploading of ALL episodes from that long first run to iplayer or, even better, a succession of series by series DVD boxed sets. It is about time, and he deserves it.

Red, White and Royal Blue: A Review

Last week, I was singing the praises of the second series of Heartstopper, a series that remains fresh, fun, and relevant. This week, Amazon Prime have released Red, White and Royal Blue, and it couldn’t be more different.

It’s great that Amazon are behind a film with two gay protagonists, but is this limp and insipid piece of filmmaking the best that they could manage? What we have, basically, is a Hallmark-type movie that barely has a scene that rings true. Taylor Zakhar Perez and Nicholas Galitzine star as Alex, the son of the US president, and Prince Henry. At first hating each other, they soon become friends and then lovers, but what will happen when the world finds out?

Added in to the mix is Uma Thurman, with an awful Texan accent, and Stephen Fry as the king. Even Stephen Fry doesn’t come out of this very well, and I say that as someone who would be over the moon if he were suddenly king. Perhaps someone could start an online campaign.

There’s very little chemistry between the two leads, although, with this bland and insipid script, one can hardly blame them for their performances. What could have been a witty, fun and incisive take on the subjects of celebrity, royalty, privacy, and the media, is a limp lettuce of a film that only comes to life in the final half an hour or so, when it finally shows some signs of being relevant, and there is finally some emotional connection with the viewer. Even the much publicised “cake” scene at the beginning of the film is completely without any real humour. The art of slapstick appears to have been forgotten in this instance. Sadly, the pictures of the two leads covered in cake is a rather apt summing up of how much of a mess this film is.

The budget also holds the film back, with the movie having a “fake” feel throughout its running time. None of the locations or sets really convince us, and there appears to have been money saved at each and every opportunity – most notably in the crowd/balcony scene towards the end of the movie. Surely Amazon could have coughed up enough money to employ something resembling an actual crowd rather than stock footage reflected in a window?

With the exception of the final half hour, which at least has some merit, it is just a completely ineffective film. The couple of sex scenes are just as uninspired as the rest of the movie – although how and why they caused the film to be R-rated in the USA is anybody’s guess. But the truth is that there are better films out there about how horrible it is to be a prince and fall in love with the wrong person – go check out The Student Prince (1954), it’s far more effective. And there are better films out there about being the gay son of a politician. The superb gay low-budget indie movie Poster Boy (2004) is a far more interesting way to spend your evening than watching the awfully-titled Red, White and Royal Blue. And, of course, there’s also Young Royals on Netflix, which is, for the most part, very good indeed.

I’m told the novel of Red, White and Royal Blue is quite the success, and I can only hope that the writing and characterisation within it are better than in the film version. In short, not the most exciting way to spend two hours.

The “Good Old Days” are Now: Heartstopper, season Two

This blog posts contains some spoilers for Heartstopper season 2.

Those of us who spend time on social media, particularly Facebook and Twitter, often see posts shared by friends and family (as well as total strangers) of a certain age, where they declare that their childhoods were better because they played outside instead of on the computer, or because we spoke to friends face to face instead of on messenger, etc.   They are posted with an air of nostalgia, of course, rather than through any real belief that our childhoods were better – and, it’s fair to say, that to say that they were is total bollocks. 

Who would want to go back to a time where most queer kids would never dream of coming out, knowing full well that they would be beaten each day at school if they did?

Who would want to go back to time where even being suspected of being gay would result in a beating, too? 

Who would want to go back to a time where disabled kids were not properly catered for in the school system and didn’t have the same rights as the rest of us? 

If we look back at our childhoods with a sense of reality rather than through rose-coloured glasses, would anyone really wish them on today’s kids?

And LGBTQ teenagers twenty, thirty, or forty years ago didn’t have anything remotely like Heartstopper, the second season of which dropped on Netflix this week.  The first time I saw anything close to a positive portrayal of male homosexuality on TV was when Beautiful Thing was first shown on Channel 4 somewhere around 1997 or 1998.  I was twenty-four.  Prior to that, most gay characters I saw on screen were dying of AIDS, being murdered, or committing suicide.  

Beautiful Thing (1997)

The BBC did try in the late 1980s with their then-controversial drama Two of Us (see pic, below) – a kind of hour-long Heartstopper of its day, and originally intended to be shown as part of the schools daytime programming of the time.  Around the same time, Section 28 was brought in by the Tory government.  This legislation officially banned “promotion of homosexuality” in schools.  By “promotion” they basically meant “don’t say anything remotely positive about it.”  The BBC got cold feet about Two of Us and pulled the programme, eventually showing it late at night instead when the people it was aimed at would have been in bed – and it was only shown then with a revised ending where the two gay teenagers didn’t get together after all.  Ah yes, the good old days.

Two of Us (BBC, 1987)

LGBTQ teenagers of the time (such as myself) had no-one on TV or film that they could relate to.  If only we’d had a film or a show like Heartstopper to relate to, and to convince us that everything was going to be fine, and that we’d get through whatever life was throwing at us.  I’ve seen criticism of the second season on social media, with people (mostly of my age) saying it is unrealistic because of its lack of sex (or references to sex).  I can only assume their minds have somehow been programmed to think such a thing after enduring the gay-themed indie films of the 1990s onwards, where it was thought that showing full frontal nudity every ten minutes or so was the only way of getting a gay man to sit through a film.   Any adult watching Heartstopper and wanting a sex scene is rather missing the point of the series in the first place.   

Season two continues pretty much where season one left off.  Nick and Charlie are, by and large, happy, and this season follows Nick’s journey through the coming out process – and it’s nice to see that journey depicted as not one “coming out” moment but the realisation that people keep coming out for the rest of their lives.  Also nice is that Nick isn’t forced to come out.  But, as with the first season, there is more going on than that.  Tao and Elle are working through a will they/won’t they relationship.  Tara and Darcy are going through various stresses in their own relationship – although I would like to have seen Darcy’s home life explored more.  The strand focussing on that doesn’t even appear until episode seven.  Perhaps there will be more next season.  Isaac is slowing working out how he fits in (or doesn’t fit in) to the whole relationship thing, and we also get to see more Mr. Ajayi’s personal life, which is really nice, too.   

It is a busy series (and includes a very charming three-episode jaunt to Paris), but none of it seems rushed, with the exception of the Darcy subplot, and, perhaps, the rather strange situation that homophobic rugby player Harry doesn’t make any play after finding out Nick and Charlie an item.  There are some wonderful put-the-arrogant-idiots in their place moments in this series, where Harry, Nick’s brother, and Ben all basically get told where to go – although it would have been interesting to see one of those moments not work out so well for the one putting them in their place. 

But, for the most part, this remains a series about good people doing good things and looking after each other.  It’s still surprising, perhaps, that a series based on that premise has been so welcomed in our cynical times – and that it’s just so damned good.  If there was an Emmy for Most Charming Series, it would win, hands down.   And it shouldn’t be surprising that adults are watching the series and being moved by it, too.   

Heartstopper, season two

Ten years ago, I wrote a novel called Breaking Point, dealing with a pair of teenaged boys who are friends but realise their friendship is becoming something more.  At the same time,  a bully and his friends do what they can to drive them apart.   But I confess that, while I am very proud of Breaking Point and its sequel, Breaking Down (both still available, I might add!!), I’d much rather have written Heartstopper.   There is almost an audaciousness and daring in writing something so simply driven by nice people doing good things.  What other drama series or book series does that?  It’s an utter masterstroke, and so what we need right now as the country continues to tear itself apart.

The writing this season is both sharper and more subtle, and the acting has also improved – although the slightly rough-around-the-edges element to the first season in that regard was rather beguiling.   There are also sequences that appear to be improvised, giving the show such a natural feel, helped by how well the cast clearly gel with each other.  Talking of which, don’t miss the recap of the last season before episode one, which is narrated by the cast as themselves, and is very sweet. 

The reviews for this second season have largely been excellent, although it appears the reviewer in The Independent has a heart of stone.  Perhaps he has forgotten that the show is actually aimed at young teenagers, and not middle-aged men – although there is plenty for adults to enjoy, I might add, including the appearance of Olivia Colman (stunning as always), but also that feeling of watching it and being thankful that today’s kids have Heartstopper instead of Section 28. 

We should never forget how much of a good thing that is.

State of the Arts: The Fight Back Has To Start Now

The government has today launched its latest attack on young people and their right to pursue their career aspirations, and one has to assume that the degrees they are talking about that don’t have “good outcomes” are those in the arts subjects.   

In the thirteen years of Tory rule, the erosion of the wonderful UK arts sector is both shocking and remarkably sad.  Added to that is the constant suggestion from the government that the arts are somehow an easier subject, or are, somehow, worthless.  Nothing could be further than the truth.  Ironically, in the run up to the next election the Tories will once again find a use for directors, producers, writers, musicians, composers, actors, designers, artists etc when they produce their party political broadcasts.  And would they have wanted the Queen’s funeral and King’s coronation to have been without contribution from the “unimportant” arts? I doubt that. For the Tories, the arts are only important when they can get something out of them.

I wonder where I would be now without the arts. When I went to high school, a new world opened up to me.  Classroom music lessons exposed me to classical music for the first time.  We had a wonderful music teacher who had put together such a good curriculum, with us learning about a different piece of music every half term or so – mostly tone poems in that first year.  That was when my love of music really began. All I wanted was more.  We couldn’t afford to buy many records, and so I would go the local library and take out a record for 20p or so for two weeks.  Many had been used as frisbees by previous users, it seemed, but I didn’t care.  I had no idea what I was doing, of course.  I had no notion of what were classical warhorses and what was an obscurity,  I didn’t care.  There was also the school choir, and the school orchestra, of course.  Where would I be now in relatively poor health without that love of music?  Bloody miserable, to be honest – if here at all.

Likewise, we had a remarkable drama teacher who got me on stage, teaching me the core skills of performance that, again, I still use now.  And teamwork, of course. There were also the English teachers who took time out to encourage my writing.  There was an elderly friend who taught me just how essential to our life stories that something like cinema can be – how films can be just as much a part of those special moments in our lives as music.  They are part of the fabric of our lives.

When I left school, I worked in admin at the local university, before resigning when I was thirty to do a film degree myself.  Not a practical degree, but one that concentrated on film as cultural history.   I had got a D and an E at A-level.  I now have a PhD, which, I might add, throws into disarray the suggestion that if you don’t get good grades at school you should just give up and become a shelf-stacker in Sainsbury.  It also shows that the university league tables are a complete nonsense, I might add.  One of the final things I did in admin at the university I worked at was to research what results A-levels students came in with and what degrees they left with.  There was no correlation whatsoever.  And surely universities should be judged not on their intake but on the comparative improvements that can be seen while the student is there? Isn’t a student who got three Ds at A-level coming out with a II(i) at university far more of an achievement for a place of education than someone who came in with As and left with a first?

When my arthritis struck about ten years ago, I quickly learned that my aim of becoming a lecturer was gone.  My arthritis doesn’t let me keep a regular job.  But I went back to my first love of writing, and being able to do that keeps me sane.  I studied film, but wrote books on music.  The notion that a degree is only of use to you in the subject you studied is absolute nonsense. The transferable skills of any degree are obvious – and, ironically, the government is just as good an example of that.  After all, James Cleverly has a degree in hospitality and is now foreign secretary (we won’t ask how). Justice Minister Alex Chalk, Health Secretary Steve Barclay and Jacob Rees Mogg all studied history (the humanities! how worthless, we are told); Chloe Smith (secretary of state for science and innovation) studied English literature – and others studied degrees of all kinds that, on the face of it, have absolutely nothing to do with their current job. But the skills learned at university can be used elsewhere. This, surely, should be downright obvious.

There is, of course, also the fact that the young should be allowed to study what they want and what they are good at – after all, they’re paying for it.  They’re going to working until they are nearly seventy – so why shouldn’t they be allowed to study what they want for three years before the work kicks in? And I find it absolutely heinous that adults who had no restrictions on their choice of (in many cases free) university degrees are now restricting the choices that the young can make.  

And, worse than that, is this preposterous belief among some that everyone should be good at the same things. The education system that the Tories have created has been formed in order to be able to churn out mindless, uncreative, even unthinking clones – the government really do want you to be unthinking. Maths and science are the important things, folks, and if you’re not any good at those, we will keep drumming them into you until you are good. Sod that. If a youngster has a gift that could end up giving pleasure to others, then they should be encouraged to pursue it, whether it’s acting or writing or art or playing an instrument. To not allow or encourage a young person to develop their natural talents is not just unfair but totally perverse.

Seeing the arts in this country collapsing is heart-breaking not just for those working in the sector, or for those who believe there is much to learn about our current state of affairs through the arts of the past, but also for those for whom the arts makes life more bearable.  It’s all very well that the government thinks the sciences are more important.  Of course, we need scientists.  They have provided me with the meds for my own conditions.  But there’s no point saving lives with science if we make those same lives utterly bereft of joy through the taking away of the arts.   What seems oddly missing in the debate about the arts subjects is just how much of a difference they make to our lives.  If we take film, TV, music, radio, books, newspapers, artwork, fashion designs, architecture, theatre etc out of our lives, what exactly are we left with?

The arts cuts last year were savage.  They were supposedly done to level up the arts across the UK.  What happened?  Glyndebourne have to stop touring, and so for the first time in forty years they will not be coming here to Norwich.  And I remember vividly how they would come to my school each year and do workshops etc.  Likewise, the ENO got savagely cut – a company that has free tickets for all under 21s.  The Britten Sinfonia, a local orchestra here in East Anglia, had its funding cut completely.  So much for ensuring the arts exist outside of London.

But I find all of that less worrying than the fact that music etc has just been gouged out from the curriculum in schools.  How many kids today get to have their eyes opened to a whole new world as I did?  How many get to sing in choirs and play in orchestras, and learn the skills of being a team-player that way?  There are other ways to learn team-building skills without standing in the rain on a rugby pitch.

The arts have become a scapegoat in this country, by a government obsessed with money rather than quality of life – a government that then has the nerve to use the creative industries for their own ends to reach out through voters each and every time it places an MP in front of a camera or a microphone.

Many on social media really do seem to think that the arts are pointless, a waste of money. I have even seen right-wing commentators on social media giving their own lists of “pointless” degrees – lists that are as startling as they are ridiculous. What’s more, they are trashing the arts subjects, and yet a couple of years ago they were bemoaning the tearing down of statues. Which are works of art. You couldn’t make it up – or perhaps you’re not allowed to make it up, as that would be creative.

My suggestion is this: if you think the creative industries and arts subjects are not important, try the following:

Turn off the TV
Don’t watch films
Don’t go the theatre
Don’t go on the internet
Don’t listen to music
Don’t sing in the shower (someone had to write that song)

Don’t play games
Throw away your mobile phone
Get rid of all the packaging for the food in your cupboard, fridge and freezer
Don’t read a book, newspaper, blog, or any websites
Don’t go on social media
Take down the art from your walls.
Tear down any wallpaper and rip up the carpets (a designer had to design those patterns)
Throw out your clothes (a fashion designer had to design them)
Leave your house (an artist and architect had to draw those plans)
Don’t use the creative industries for work purposes


Try all of that for a week…and then see if you still think the arts and creative industries are unimportant.

Somehow, though, the fightback for the arts has to start in earnest now. People have to make their opinions known now before it’s too late for their to be a recovery in their fortunes, and that would be catastrophic.

Finian’s Rainbow (1968)

There is something undeniably moving about the final shots of Finian’s Rainbow, as Fred Astaire half-walks and half-dances away from his final musical film, some thirty-five years after his first. True, he would dance again on screen in That’s Entertainment, Part 2, but that was within a linking segment in a film that was otherwise a compilation of highlights from MGM musicals. However, apart from Finian’s Rainbow being Astaire’s last musical, it is a somewhat strange and complicated piece of work to come to terms with more than half a century after it was released.

Finian’s Rainbow was made in 1968, towards the tail-end of the musical revival that had started with My Fair Lady, Mary Poppins, and The Sound of Music. While they were all lavish spectacles, Finian’s Rainbow had a lower budget, and it shows in places – especially when it can’t seem to make up its mind whether the outdoor scenes will be filmed on location or in a rather unconvincing-looking studio setting. The constant switch between one and the other (seemingly at random) is rather jarring, as are the Irish accents of Fred Astaire, Petula Clark and Tommy Steele, which come and go as often as the scenes shot on location.

The film mostly didn’t get very good reviews, and that is understandable. Anyone expecting Astaire to don his tux one last time was going to be disappointed, and the film is an unsteady mix of fairytale, fantasy and political satire. A kind of cross between Hair and Brigadoon. The height of the Civil Rights Movement was a strange time to film this 1947 stage musical, not least because of its rather naive treatment of race and bigotry. No doubt, the original stage show would have had its heart in the right place, but it must have seemed dated even in 1968 to have one of the storylines centred on a bigoted senator who magically gets turned black so that he can see the effects of his own racism. It’s this element of the narrative that has been central to the musical not having been revived professionally for a couple of decades, and that is unlikely to change. Clearly, the narrative strand was not intended to be offensive, but its naivety and cackhandedness makes it somewhat cringeworthy when seen today on film, and surely wouldn’t be tried today on stage. The director, Francis Ford Coppola, admits these problems freely on the director’s commentary on the DVD and blu-ray release.

Despite this, there is a certain charm about the film as a whole. It’s not a great movie by any means, but the music is excellent, and the score was updated to give it an authentic late 1960s feel, most notably on Old Devil Moon, which here sounds like it could have been written by Burt Bacharach. The songs are superbly performed by Astaire, Clark, and Steele, as well as Don Francks and the chorus. Whether Coppola was the best choice of director is up for debate, but the main problems here are probably in the budget limitations and the fact that the narrative was dated when the film was made. It also seems somewhat leisurely paced, with some sequences in dire need of some editing. The film is undoubtedly odd – Tommy Steele is a leprechaun, for heaven’s sakes – but I confess it is also somewhat likeable, especially if you can get past watching it with today’s sensibilities.

And there’s always the choice of watching just to hear the songs: Old Devil Moon, How are Thing in Glocca Morra, Look to the Rainbow, When I’m Not Near the Girl I Love, and When the Idle Poor Become the Idle Rich – the last of which is as culturally relevant today as it was when the film was made: “When a rich man doesn’t want to work, he’s a bon vivant/But when a poor man doesn’t want to work, he’s a loafer, and a lounger, and a good-for-nothing, he’s a jerk.”

The Warner Archive blu ray looks excellent, and it ports over Coppola’s very honest commentary from the DVD release.

https://youtu.be/hbjEkST6fcA

Looking Back at Beautiful Thing

Beautiful Thing is quite possibly the most beloved of all gay-themed movies. Made in the UK by Channel Four Films, and first broadcast back in 1996, there is a certain bizarre logic that the only blu-ray available has to be imported from France. Queer films, especially those from the past, are criminally under-represented on blu-ray, and the situation with Beautiful Thing underlines that.

It’s twenty-seven years since I first saw it, on Channel 4 on June 21st, 1996. I was 22 and still living at home (I moved out a few months later). I was still in the closet, and so I’m guessing my parents were out that night for some reason or other. Viewed now, in 2023, the film retains its power to warm the heart.

Adapted by Jonathan Harvey from his own play, the film tells the simple story of Jamie and Ste, two teenagers living next door to each other on a London housing estate, and who fall for each other both because of, and despite, the rather brutal realities of their lives. Jamie and Ste are played by Glen Barry and Scott Neal. Their performances are surprisingly low-key and natural, and in quiet contrast with the somewhat showier supporting cast of Linda Henry, Ben Daniels, and Tameka Empson as Jamie’s Mum, her boyfriend, and Mama Cass-obsessed neighbour. Despite the rather disparate group of performances, everything and everyone gels together beautifully.

It’s not a particularly dramatic tale, and one could guess from the first ten minutes or so exactly what the few twists and turns in the plot are going to be. So why is it so beloved? Well, in the first instance, you have to travel back to the mid-1990s, with the harsh realities of the LGBTQ community in the UK at the time. The Tory government had done everything it could to try to row back the steps forward towards acceptance that the community had made in the decade or so before HIV reared its ugly head. The hated section 28 legislation was very much in place. Hate crime was high, but few bothered to report it. What was the point? And, just three years after the film was first broadcast, the Admiral Duncan gay pub in London was nail-bombed, killing three people and injuring scores more.

In the middle of all this, came Beautiful Thing. It wasn’t the first British gay film – in fact, there had been several over the previous decade or so from My Beautiful Laundrette through to Maurice, Another Country, and Edward II. But Beautiful Thing was different. It wasn’t based on a centuries-old play, or centred on the rich. Instead, it told the story of a couple of ordinary young lads on a housing estate, and, at the same-time, had something of a fairytale quality about it – which is perhaps most obvious in the final few minutes, as the two boys dance together in the middle of the concrete jungle in which they live. It is a beautiful thing, but it’s also subtly defiant.

For many gay males, especially gay teenagers, this was a hopeful movie. A movie that told them “you can get through this,” and by “this” it meant both coming out and the way that the gay community was being treated by the government. “It’s Getting Better,” the soundtrack tells us and, although perhaps we didn’t know it at the time, it was about to get better – and Beautiful Thing reassured us of that. Scotland knocked Section 28 on the head in 2000, and England and Wales did the same in 2003. The 2000s turned out to be the era in which openly-gay Graham Norton rose to enormous popularity on TV; the openly-gay Brian Dowling won Big Brother in 2001; Will Young won the first series of Pop Idol, and the first civil partnership took place in 2005, after the law was passed in 2004. “It’s getting better,” indeed.

Anyone watching Beautiful Thing now could easily dismiss it as a relatively flimsy piece of entertainment that passes the time nicely. On the face of it, that’s exactly what it is. But we forget at our peril what it meant to young men like myself at the time, and how quietly political the movie really was/is. That message that you could be accepted, and that things would turn out OK eventually, was essential at that time. We really needed that. And I would suggest we need it now, too, in a country where hate crime is rising, there’s a possibility the UK will leave the European Court of Human Rights, and I hear more homophobic slurs outside my city centre flat than I did a decade ago. But we have to remember that final image of the movie of Jamie and Ste dancing outside their block of flats, while a growing crowd of people watch on – some bemused, but some utterly appalled by what they are seeing. That slow dance was basically a two-finger sign at mid-1990s Britain, and a two-finger sign at section 28…and, in 2023, it’s saying the same things to the internet trolls, those committing hate crimes towards us, and the threat that the extreme right-wing presents to us.