The Stranger in the Snow (A Christmas Ghost Story)


There are currently three books in the “Ghost Stories for Christmas” series. The first (entitled Ghost Stories for Christmas) contains five stories. The second, The Festive Symphony, is a novella, and the third, In the Bleak Midwinter, contains two novellas and a short story. All three volumes are available through Amazon stores. The story below, The Stranger in the Snow, is from the first book in the series. 
https://www.amazon.co.uk/dp/B0CHXWM4KS?binding=paperback&qid=1702519387&sr=8-1&ref=dbs_dp_rwt_sb_pc_tpbk

THE STRANGER IN THE SNOW

The cottage was perfect.  It was exactly what I was looking for – somewhere that I could rent for a few months in order to write up the research that I had been working on for well over a year.  The research itself had gone well, but I was struggling to get my findings down on paper. 

My wife and I had no children of our own, but my brother and sister-in-law had been killed in a car accident about two years earlier, and their two children had been living with us ever since.  If truth be told, that was the main reason why the monograph was so difficult to write. 

I was used to a quiet house, but now, with a ten-year-old and eight-year-old running around, it was anything but.  Of course, the house would normally have been quiet during the day, and I could have worked then, but that wasn’t the case during the pandemic, when kids were staying at home rather than going to school – and people like me were being encouraged to work from home, also. 

It was Susan, my wife, who had come up with the idea of me finding a cheap, quiet house somewhere, so that I could get my work done.  She suggested that I go and stay there during the week and come home at the weekends.  A couple of years earlier, we wouldn’t have been able to afford it, but my brother and his wife had left us a considerable amount of money, and so my “moving out” seemed less of an extravagance than it would have done before, and Susan was rather enjoying parenting in a way that I most definitely was not – even if I had nothing against the two children who were now in our care. 

Susan and I had always wanted children of our own, but it had never happened – although it wasn’t through a lack of trying.  Various options had been open to us – IVF, and so on – but we had chosen not to go down those routes.  We were very much of the view that, if it happened, then great.  Otherwise, we wouldn’t be bitterly unhappy.  Perhaps fate had stepped in, and we hadn’t had children of our own for the reason that we would become the guardians of my brother’s children at a later date.  I’m no great believer in fate, but sometimes you do have to wonder, considering how things work out.

After being shown around the cottage, I told the letting agent that I would like it for three months – which was the least amount of time that the owner would consider renting it for.  It was a nice property – too large, really, with three bedrooms – but it was only about ten miles away from my wife and the children.   Despite this, the cottage was, in many respects, in the middle of nowhere.  It was two miles from the nearest village, and had no bus route running close by.  The letting agent told me that it had been part of a school at one point, but the other buildings (including the main school building) had burned down back in the 1970s.  It didn’t seem strange to me at the time that nothing had been built on the land in the intervening years.   Apparently, that land now came with the cottage that I was to rent, and that suited me just fine.  It meant that there would be no disturbances from neighbours.  

When I got home after the viewing and told my wife the news, she seemed overjoyed, although she questioned whether there was really much point in going with just ten days or so to Christmas, but I said I wanted to get started straight away.  Perhaps other men might have felt put out that their wife was happy that they were moving out for a few months, but our work was important to both of us.  We told the children over supper than night that I would be going to live in the cottage during the week and returning at weekends, and the arrangement would begin on the following Monday.  The kids thought, at first, that this was our way of saying we were getting divorced, but we reiterated that was not the case.

The weather forecasters had been saying all weekend that there would be heavy snow-storms on the Monday afternoon, and so I set off reasonably early to avoid them.  I arrived at the cottage at about ten o’clock in the morning, and, by midday, I had unpacked what few things I had brought, and had got settled in somewhat.  There was an old writing desk in one of the bedrooms, and so I set my laptop up on that, and managed to turn the rest of the room into a usable office.  I filled the fridge in the kitchen with the food and milk I had brought with me, and plugged a blu-ray player into the television in the living room.  I might have finished the research element of my project but there would still be a need to re-watch films (or parts of films) that I was writing about.  The box of DVDs and blu-rays that I had brought with me were unpacked and placed on some empty shelves that were in the living room. 

Given that it was approaching midday, I decided that I would have an early lunch and then start work in the afternoon.  I realized that there was no microwave in the kitchen, and debated whether it would be a good idea to buy a cheap one from Amazon, given that cooking was hardly something I was good at. Still, I had no objection to living on beans on toast if I had to.  About twenty minutes later, I was sitting in front of the television, watching the news while I ate.  There was much doom and gloom, not just about the virus, but also about the forthcoming bad weather, which was supposedly about two hours away from where I was.  I was, oddly, rather looking forward to it.  The remoteness of the cottage made me feel that any such snow storm could be quite impressive to watch.  Perhaps it would put me in the right frame of mind to write about the old horror films I had been researching. 

I got up from the chair, went into the kitchen to wash up, and then went upstairs and switched on my laptop, opening the box file of notes while it booted up.  I took out the large stacks of papers and placed them on the table next to the computer.  A picture of Conrad Veidt in The Man who Laughs stared up at me.  It was a print-out of the front page of a movie magazine from the late 1920s.  The film had always given me the creeps, despite the fact that it was not a horror film in the strictest sense.  It was really a historical melodrama based on a Victor Hugo novel, with Veidt playing a man who had been disfigured after a wide grin was carved on to his face as a boy.  I found it far more disturbing than any film featuring Dracula, Frankenstein’s monster or the Wolf Man.  I turned the page over so that I didn’t have to look at it. 

While the laptop chugged away as it booted up, I went over to the CD player I had brought with me, and inserted a disc and started it playing.  I bought too much music – I was well aware of that – and much of it I never got around to listen to.  Now was the perfect opportunity to catch up.  I had brought with me a large, boxed set issued by Decca of some fifty or so discs of opera and lieder recitals, some of which went back to the 1940s.  I hadn’t had the chance to play them at home, and so was looking forward to ploughing through them during the coming weeks.  I made up my mind to start with the first disc and work through them in order.

With the disc playing, I opened the Word document that contained what little work I had completed on my book.  I read through it a couple of times, and decided that I would delete the whole thing and start again.  It wasn’t that the few thousand words I had written were particularly bad, but they weren’t particularly good, either.  I felt that I needed a fresh start.  With a new file opened, I started typing. 

After an hour or so, I had written about eight-hundred words, and was pleased that I had got into something of a rhythm.  I didn’t really want to stop while the going was good, but the bathroom was calling, and so I saved my work, went to the bathroom and then made my way downstairs to make a cup of tea.  As I went back upstairs to the room in which I was working, I realized that it was getting darker outside, and it was clear that the bad weather that had been forecast was fast approaching.  The view from the window in front of me was rather impressive.  The snow clouds were making their way across the fens towards the cottage.  The wind had certainly got up, and the couple of trees in the garden of the cottage were being battered by what had now become a gale.

I was almost mesmerised seeing the clouds approach in this way, and the progress I had made with my work just an hour before was now halted by the spectacle outside.  The snow was beginning to fall now, and it splattered against the window with considerable force due to the heavy wind.  I closed the screen of my laptop, knowing that I wouldn’t be able to concentrate until the snow had passed – or, at least, until it was dark outside, or I had got bored by it.  I just sat there, watching the storm play out.  

It didn’t take long for the ground to be covered in snow, and, after a relatively short amount of time, I realized that I could easily be snowed in if it continued to fall for many hours.  Perhaps that was what I needed in order to get my work done.  As the CD I was playing came to a halt, I thought that perhaps I should ring Susan and make sure she was alright. 

“What’s it like where you are?” she asked me after we had said hello.

“The snow’s falling at quite a rate,” I told her.  “But it’s very beautiful out here in the middle of nowhere.  No, not beautiful exactly.  But…”

“Picturesque?” Susan asked.

“Something like that, I suppose.  I’m a bit worried I might get snowed in.”

“At least you’ll have no excuse to not get your work done.”

“Well, unless there’s a power cut,” I said.

“Yes, that’s true,” Susan said, a little concerned.  “Just keep everything charged up as much as you can.  Your phone and your laptop.”

“I’ve already thought of that.  How are the kids?” I asked.

“They’re outside building a snowman in the back garden.  I’m quite glad the schools have already finished for Christmas.  It stops any of that will-they-or-won’t-they be open or closed rubbish. But all is fine here.”

A minute or two later, I ended the call, buoyed by my brief contact with the outside world, even if I had only been away from it for six hours or so.  I plugged the mobile phone back into its charger – at least I’d have a day of two’s worth of battery if the electric went off.

By now, it was nearly dark, and I went through the house, drawing the curtains, doing my best to keep the heat in and the cold out.  As I did so in the living room, I thought I saw someone – or something – pass through the garden.  I would have said walk through the garden, but whatever it was didn’t seem to be grounded.  I wondered if it was a large bird of some kind, perhaps even an owl.  I peered out through the window, but it was too dark to see anything properly, and so I tried to forget about what I had seen. 

I went through into the kitchen and thought that, now I had stopped work for a while, I should think about what to have for supper.  I soon learned in the coming days at the cottage, that, when living alone and having stopped working, the mind generally thinks about food.  In the fridge was a shepherd’s pie, which Susan had made the week before, and frozen.  I thought it would be particularly suitable for such a cold, snowy evening, and so I switched on the oven and went back into the living room while it reached its desired temperature.

I switched on the television, and sat through the daily statistics about the virus that was on the news channels, and then watched the reports about the weather conditions.  It was going to get worse before it got better, the weatherman told us, and I realized that I should get prepared to be stuck in the cottage for several days unless the rest of the storm somehow bypassed us.  I sneaked another peak out of the window, and saw that the snow was still falling, and it wouldn’t be long before the country roads would be impassable.  It seemed to take less snow each winter for this to happen. 

A couple of hours passed as I ate the shepherd’s pie in front of the television while watching a rather dismal 1940s B-movie that was being shown on one of the cable channels.  I had seen worse – much worse – as part of my research, but, even so, this was very much a watch-because-there’s-nothing-better-on type of film. 

When the film ended, I washed up the plate that I had just used, and was about to go back upstairs to start work again when there was a knock on the front door.  Surprised that anyone would be out in the inclement weather, I went to the door and opened it. 

Standing in front of me was a policeman.  A constable, I thought.  He certainly didn’t seem to act with an air of authority, and almost seemed embarrassed to be there.

“Good evening,” I said.  “Can I help you?”

“I’m sorry to trouble you, Sir,” the constable said.  “But I was wondering if I might take a moment or two of your time?”

“Of course.  Please come in.”

The constable smiled at me and then came into the hallway, wiping his feet thoroughly on the doormat.

“It’s not getting any better outside, then?” I asked, trying to break the ice a little.

“Not at all, Sir,” the policeman said.  “It’s very nasty outside.”

“Come through into the living room,” I said.  “You’ll find it much warmer in there.”

He followed me through into the living room and I told him to sit down, which he did.

“Would you like something to drink?  A tea or coffee, perhaps?  Something to warm you up?”

“No, Sir,” the constable replied.  “I cannot stop long.  I want to get back to the village.  Before it gets too late.”

“Too late for what?”

“I meant the weather, Sir.  The roads will be blocked in a couple of hours at most, and I don’t fancy walking home.”

“Of course.”  I sat down in the chair opposite him.  “So, how can I help you?” I asked.

“Well, that depends.  How long are you planning to be staying in the cottage, Sir?”

“Two or three months, I think.  I have work to type up, and I’m not getting on very well at home, and so I have rented the cottage to give me some peace and quiet.”

“Ah! I see!” the policeman said.   “And you’re not from  around this area to start with?”

“No, not really.  We live in the city.  So about ten miles away.”

“I see,” he said, again.  “Well, I figured as much, and so I thought it would be a good time to come and have a little chat with you.”

“About what?  Have I done anything wrong?”

“Oh no.  Nothing wrong, Sir.  But with the weather as it is, I was wondering if you might be able to help us.  We are keeping an eye out for a young man, you see?  And I was thinking that you might see him?”

“I only arrived this morning,” I said.  “And I haven’t seen anyone.  Hardly surprising given the weather.  But I don’t think anyone lives close by, do they?”

“No, indeed.”

“So, has this young man gone missing?” I asked. 

The policeman seemed to tense up when I asked this question.

“Not yet, Sir,” he said, quietly.

I was rather surprised by his odd reply.

“Not yet?” I queried.

“Indeed, Sir.”

“But you’re expecting it to happen?  I’m afraid that I don’t understand.”

I wondered if I was being a bit slow on the uptake, but I believed that I was not.  Why would a policeman come to my door in order to tell me about someone that might go missing but hadn’t yet?   The conversation was not making sense.

The policeman took a moment to try and gather his thoughts. 

“We have reason to think that a teenaged boy of maybe seventeen or eighteen will go missing at some point in the following day or two, and that he will likely come here.”

I stared at him, and wondered if he was actually a policeman at all.   Perhaps I had inadvertently let a mad man into the cottage.

“Here?” I asked.

“I realise this sounds very strange, Sir,” the policeman went on.  “But the truth of the matter is that this has happened before in this kind of weather, and with the road to the village likely to be blocked by morning, we thought it was worth coming to see you in advance.”

“You’re telling me that when it snows, teenage boys go missing from the village?”

The policeman nodded his head. 

“That’s correct, Sir.”

“And they come here?”

“Yes.”

“Will this boy be dangerous?”

“Oh no, Sir, not at all.”

“How do you know?  He might have a concealed weapon.”

“That’s unlikely.”

“Why?”

“Because, in previous years, there have been no weapons involved.”

“Can I ask why this is going to happen?”

“I’d rather you didn’t,” the policeman said, rising to his feet.  “It would probably be for the best if I went now, or the car won’t get back along the roads.”

He walked back into the hallway, and I opened the front door for him.

“Look after yourself, Sir,” he said.  “And if the boy does turn up, it would be appreciated if you’d look after him.  Keep him warm, and all that.  Good night, Sir.”

And, with that, he was gone.

I shut the door and went back into the living room, rather bemused by the conversation.  If I was being totally honest, I would say that the policeman seemed thoroughly embarrassed by the information he had relayed to me, and  yet had seemed perfectly earnest.

I telephoned Susan and told her about the episode.

“Do you think someone’s playing a trick on me?” I asked her.

“Not on you,” Susan said.  “But on him.  I bet someone in the station had made a bet with him or dared him to come and tell you that story.  Something like that.  I’m sure that’s all it was.”

“Well, it was very bad timing,” I said.   “He could have had an accident getting here in the snow.”

“You know what some people are like.  They don’t think about things like that.  It was just a lark.  I bet that you’ll find out for sure before you come home for Christmas.”

I wasn’t quite so certain, but we said goodnight to each other, and ended the call.  It was around ten o’clock by this point and, although I was normally someone who didn’t go to bed until the early hours, I felt decidedly sleepy, and decided to turn in.  It had been a busy – not to mention, slightly odd – day, and I thought I would feel better the next day if I had a good night’s sleep.

Sadly, sleep didn’t come quickly, and I found myself lying awake going over what the policeman had said while he was at the cottage.  The more I went over it, the more I decided that it was not just some strange prank.  He had been genuinely worried that a young lad might try to come to the cottage in the snow. 

I got out of bed and went through into the room that I had made into my office.  I switched on the computer and, rather miraculously, found that the internet was still working.  I tried doing a Google search for missing teenagers from the village during previous winters, but I found none, although I realized that we hadn’t really had bad snow since the so-called “beast from the east” a few years back.  And so, I centred my search around that period in early 2018, in order to see if that brought up any results.  There wasn’t much, but there was a couple of small articles in the local newspaper.  The first one reported that a young man was missing from the village, and the second one, from a couple of days later, informed readers that he had been found a couple of miles away, and that he was suffering from hypothermia, but was expected to make a full recovery. 

I set about finding out which years had had heavy snowfall in the local area, and then seeing if I could find similar articles from the local newspapers about missing boys.  There certainly seemed to be some correlation, going back several decades.  There wasn’t always an article with every snowfall, but I assumed that the newspapers weren’t informed if the person had been found quickly.

The whole thing seemed very strange indeed, but I realised that I wouldn’t find out much more simply through using the internet.  I needed to speak to someone local who could give me more information. 

I had begun to get sleepy, and so went back to bed, but not before looking out of each window to make sure I couldn’t see a boy outside.

*

I woke up at about nine o’clock the next morning, and was quite surprised that I had managed to sleep right through the night, especially given it was my first night in the cottage and with the strange events of the previous evening.

The cottage didn’t have a shower, and so I ran a bath while I shaved and cleaned my teeth.  The hot water system was barely adequate, and so the bath needed a couple of kettles of boiling water to make it hot enough.  But once it was full, I soaked in it for at least half an hour, basking in the silence that was now only rarely present in my own house.  I loved my brother’s kids, but I loved the peace and quiet we had before they moved in with us, too.  I thought of this while I was laying there in the tub, and I felt saddened by my own selfish thoughts.  Those kids had lost their parents, and I was moaning to myself about the house being noisier. 

Eventually, I got out of the bath, got dressed, and went downstairs to fix some breakfast, opening the curtains in the downstairs rooms while I prepared the food.    The snow had been falling heavily all night, and it was still coming down.  When looking out of the kitchen window, there was no way of knowing where the garden path ended and the grass began.   The same was true out of the front window.  The garden, the footpath, the road and the field on the other side were all merged into one.  And standing about five or ten metres from the window, was a boy.

I had forgotten – or, at least, tried to forget – the weird visit from the policeman the night before.  A night of sleep had rather put it to the back of my mind.   I peered out of the window to make sure that he was really there, and not some strange optical illusion caused by the snow.  But he was definitely there, and staring directly at me.  He wasn’t moving, just standing still – not affected in any way by the cold weather, it seemed.  He wore no coat, and was there in his shirtsleeves and trousers.  I guessed that he was about eighteen years old, but it was difficult to be sure.     

I went into the hallway, put on some boots and a coat, and opened the front door.  It was like a blizzard.  It wasn’t just the snow, but the wind, which was blowing directly towards the house.  I was covered in snow in an instant.   But I had to go and get the boy indoors.

I went outside and pulled the door shut behind me.  As I trudged towards him, I saw that the boy wasn’t moving at all – not even shivering.  I thought for a moment that he might be dead already from the cold, but then I saw the breath coming from his mouth.  I grabbed hold of his hand, trying to lead him into the cottage.  He refused to move, as if he was in some kind of trance, and so I picked him up and carried him inside, closing the front door behind me.

By now, I could see that he was indeed about eighteen years old, slightly built, and, while he was wearing shirt and trousers, he had on neither socks nor shoes.  I put him down on the sofa in front of the fire while I worked out what I should do with him. 

My first thought was to call the police or an ambulance, but there was no mobile reception, probably due to the weather, and the house had no landline phone.  I ran upstairs and turned the computer on, but guessed that the internet would probably be down, too.  I wondered if I could get him to the nearest village for some help.  There would have been a doctor in the village.  But that was two miles away, and I had little hope that my car would get that far given the amount of snow there was on the road.  There was little doubt that my only course of action was to look after the boy myself. 

I tried to speak to him, but I got no response.  It was almost as if he was hynotised, with his eyes just staring straight ahead, and he didn’t seem to know that I was there.  

I turned up the heating in the house.  I didn’t really care if it was going to be unbearably hot for me, but I needed to get his body temperature up.  That was about all I knew when it came to what I thought could be hypothermia.    I went upstairs and took the quilt from the bed and brought it downstairs, but it was no use covering him with it if he was lying there in wet clothes.  I felt bad doing it, but I took off his clothes, and dressed him in a pair of my own pyjamas before covering him with the quilt and drying his hair with a towel. 

“What were you doing out there?” I asked.

I didn’t expect a response, and  I didn’t get one.  

“What’s your name?” I asked him.

Again, there was no response, but my efforts were to try and bring him around from whatever trance-like state he was in.    I went into the kitchen to make some tea, thinking a hot drink would help to warm him up.  I checked on him every now and then while I did so.  There seemed no improvement in him until I brought the cup of tea up to his lips and he almost instinctively took a sip, and his eyes looked into mine.  I started to believe that I might make progress after all.   I didn’t get him to drink all of the tea, but at least he had some of it.

I confess that I was somewhat curious as to who he might be, and so I went through his trouser pockets in search of some identification.  I found a set of keys and a couple of tissues in the front pockets, and a wallet in the back one.  Upon opening it, I came across a driver’s license that informed me that the young man on my sofa was Benjamin Haydn and that he was nineteen years old.  I put the wallet back into the pocket and walked back over to him, kneeling down on the floor beside him.

“Benjamin?” I asked, hoping that there might be some sense of recognition to his name, but I detected none. 

I was still unsure what to do with him, but with no working phone or internet, and the snow too deep for me to transport him either home or to a doctor, I decided the best thing that I could do was to simply keep him as warm and comfortable as I could.  Bearing this in mind, I took him off the sofa, carried him upstairs, and put him down on my bed, covering him up with the quilt.  I didn’t know what else to do, and this action seemed the most sensible. 

I went back downstairs, and switched on the television.  There wasn’t much of a reception.  There was a signal one minute but not the next, but I did manage to catch a few moments of the news, which usefully told me about the heavy snowfall that I was already very aware of.  There was an emergency number to use, but that wasn’t exactly helpful given that the phones weren’t working. 

I decided that the best thing I could do was to kill some time by writing up some of my monograph while we still had electricity.  I went back upstairs and sat down at the laptop and switched it on.  While it booted up, I gazed out of the window at the rather splendid view.  The snow had stopped falling – at least, for the time being – and it made it easier to see how great the snowfall had been overnight, as well as how cut off the cottage was.  

The window of the bedroom I was using as my office faced the back garden, and I wondered, perhaps for the first time, just why that large expanse of land hadn’t been built on since the fire that had destroyed the old school.  I was sure that the letting agent had told me that the fire had happened some fifty years ago.  It seemed odd such a prime piece of land remained unused.  It officially came with the cottage, but clearly no-one had made any attempt at using it as a garden.  It was just a mess of overgrown weeds on the other side of the small fence that once had marked the territorial boundaries of the cottage. 

Once the laptop had started up, I tried to concentrate on my work, while checking on my guest every hour or so.  I got a surprising amount of work done.  The house was deathly quiet – I didn’t put music on for fear of waking up Benjamin – and no vehicle came past the cottage due to the snow.  I assumed that a snow plough would reach me eventually, but I feared it might be a day or two away.  I was just thankful that we still had electricity.

After typing up four or five pages – almost a record for me in the given time frame – I went downstairs to make myself another drink and to try to come up with something that I fancied to eat.  I thought I would probably make do with a tin of soup, and use up some of the bread that I had brought with me the day before. 

It was as I was standing at the fridge that I heard footsteps from upstairs, which eventually made their way down the staircase.  I went into the living room to find Benjamin standing at the bottom of the stairs.  I smiled at him, in an attempt to be as unthreatening as I could possibly be.

“Hello,” I said.

My guest looked at me, but seemed confused.

“Where am I?” he asked. 

“You’re at a cottage about two miles from the village,” I told him.   “I found you outside in the snow this morning.”

“Why was I out there?”

“I don’t know,” I said.  “I’m sorry.  A policeman came here last night and pretty much told me to expect you.”

“He told you that I would come here?” Benjamin asked, understandably bewildered.

“Not you, specifically.  Just someone.  A young man, he said.  He told me that this happened quite regularly when there was this kind of weather in the area.”

At this comment, there seemed to be some kind of recognition in his face.

“So, this is the old school cottage?” he asked.

I nodded.

“Yes,” I said.  “How do you know?”

He looked as if he was feeling faint, and he grabbed hold of the banister at the bottom of the stairs.

“Why don’t you sit down?” I said, and guided him into a chair, which he almost collapsed into.  “Would you like something to eat or drink?  Something hot?  Tea or coffee, perhaps?”

“Tea would be nice, thank you,” Benjamin said.

“Anything to eat?” I asked him. 

He thought for a moment, not quite sure.

“I was going to have some tomato soup,” I said to him.  “Would you like some of that?”

Benjamin nodded his head.

“Yes. Thank you.”

“I’m Paul,” I said to him, as I went back into the kitchen.

“I’m Benjamin,” he said.

“Yes, I know.  I found your wallet.   I would have informed the police or got you a doctor, but all the phones are out.  And my car wouldn’t get through the snow.  So, I’m afraid you’re stuck with my company for a few days, possibly.”

He smiled at me.

“I’m sorry for the inconvenience of having me here,” Benjamin said.

“It’s fine,” I told him. “I’m just glad you are OK.  You didn’t even have a coat.”

I handed him his cup of tea.

“Thank you,” he said.  “They never have a coat.”

“They?”

“The people who are found here at the cottage.  I guess I’m just lucky that you were living here and saw me.  A few years ago, this happened and the boy died.”

“So, you know what all of this is about?” I asked.   

“Yes.  All of the villagers know about it.  But sometimes when this happens, it’s kept quieter than others.”

“Why?”

“It’s a long story,” Benjamin said.

We agreed that he would tell me the story after we had eaten. 

Benjamin said that he wasn’t particularly hungry, and yet he ate his soup quickly.  I asked him how he was feeling, and he said he was tired, but otherwise he felt OK. 

“You’re lucky,” I said.  “I really didn’t know that you were going to get better without proper treatment when I came across you this morning, but I’m guessing that you hadn’t been out there as long as I first thought.”

“I don’t remember anything about it,” he said.  “I remember getting out of bed at some point last night, and then waking up in your bed an hour or so ago.  I don’t remember anything else about it.  Perhaps it’s for the best.”

I agreed with him.  He sat there in silence for a few seconds, and then he took a deep breath and began his story.

“It’s all to do with the school that was here,” he said.  “Nobody really remembers it in the village.  It closed down just before the start of the Second World War, and so anyone still around would only have been young children back then.  I guess someone in their nineties might have a memory of it, but there’s only one person of that age in the village that I can think of, and she doesn’t have much memory of anything.”

“Why did it close down?” I asked.

“There was something of a scandal.  I guess that’s what you’d call it.  The man who ran the school was known in the village for being something of a tyrant.”

“He didn’t treat the kids well?”

Benjamin nodded.

“Something like that.  But he didn’t treat the teachers well, either.  Or anyone else who worked at the school.  Stories spread about him in the village.  They still do, but I don’t know how many of them are true and how many are gossip.”

“That’s always the case,” I agreed. 

“There were a couple of young people about my age working there, so the story goes.  They had been pupils there, and they stayed on there to help out.  Probably looking after the building or something.”

“Maybe even some teaching,” I told him.  “There were less regulations back then.”

“They lived at the school,” Benjamin said.  “That’s what I’ve been told, anyway.  It was the middle of winter, and the weather was like this.  The headmaster of the school went to find them late one night.  Nobody really knows what he wanted – it was probably just to speak to them about keeping the school warm or something like that.  But the story says that he found them together.  In bed, presumably.  He went mad, and sent them outside into the snow as a punishment, and made them stay there.  Just in whatever they were wearing.  No hat or coat or boots or anything.  He made them stand in the grounds all night and into the next day.  It was only when one of them collapsed that the other teachers got together and went against the headmaster.  The boys were brought in, but one of them died.  The headmaster was removed from the post, but I don’t know if he was charged with any crime.  The school closed down shortly after.”

It was a horrible story, but I had little doubt that it was true. 

“And now,” I said, “whenever there’s the same kind of weather, a boy from the village finds himself re-enacting what happened to the two young men back then?”

Benjamin nodded. 

“Yes.  Not just any boy of the same age.  It’s only those that are gay.  That’s why there have been times when it has been hushed up.  There were always stories that these things happened,  but often the people involved didn’t want it known.  Being gay in a village is still not always easy once people find out and the gossip starts.”

“And what about the school burning down?  Do you know anything about that?”

“Possibly.  It’s said that a boy died of hypothermia after being drawn to the school and standing outside in a blizzard, and that his mother or father came here in a rage and set fire to the main school building.  It’s only a rumour, though.  Village gossip.”

I sat there quietly, trying to take in the story that I had been told.  I had never been a believer of ghosts and the supernatural, but there must have been something in the tale for it to have been kept alive for eighty years – and for the local policeman to have come and warned me the previous evening.

“People in the village know that I’m gay,” Benjamin said, as if he was reading my thoughts.  “I reckon that’s why Harry came to see you.”

“Harry?”

“The policeman in the village.  He would know that I was gay and the right age, and that I could end up here considering the weather.”

“You told me that one of the people who ended up here died?” I said.

“Yes,” Benjamin said.  “That last happened five or six years ago.  Maybe a bit longer.  There was no-one in the cottage then.  Nobody’s lived in it for many years, but the owner died, and his family has decided to let it.  You’re the first person to live here for many years.  Lucky for me that you were here.  I could be dead, otherwise.”

*

It was another three days before the snow stopped falling completely and the snow plough reached us.  Luckily, the phone signal had returned prior to that and so Benjamin had been able to call his parents and tell them that he was safe.  He did a very good job of staying quiet during the day while I did some work, and then we ate dinner in the evenings and watched a film on the television. 

When I took him home, his mother was overcome with emotion, and didn’t stop thanking me for my efforts during the time I was there.  She tried to get me to stay to dinner, but I told her I needed to be getting back to Susan and the kids.  The incident in the cottage had made me feel as if I wanted to see them at the earliest opportunity – and I felt guilty for sometimes thinking of them as a distraction to my work. 

Before I left the village to go home, I stopped off at the small police station in the village, and thanked Harry, the constable, for having called on me during my first night in the cottage, in order to prepare me for what happened.

“Think nothing of it,” he said.  “I am just sorry that I didn’t think I could tell you the whole story at the time.  But I was worried you’d think I was barking mad.”

“Well, you probably saved young Benjamin’s life by coming to see me,” I told him.

“Well, at least something came out of the visit.  But you can only do so much, and I feel so bad about Martin.  His parents are distraught.”

I was confused.

“Martin?” I asked.  “Who is Martin?”

“Why, he’s Benjamin’s young man, Sir.  He went missing from the village on the same night, but nobody has seen or heard from him since.  I have to break that news to young Benjamin, now that he is home.  I didn’t feel it was right to tell him on the phone when he called us from the cottage to say that he was fine.  In all honesty, I have a horrible feeling that we won’t find Martin until the snow has melted.” 

I wondered if I could have helped Benjamin’s boyfriend, too, if I had only looked out for him.

When I returned to the cottage in the new year, I learned that Martin still hadn’t been found, even after the cold spell had ended.  Benjamin told me that he was hoping that his boyfriend had simply run away, but neither of us really believed that to be the case.

Red, White and Royal Blue: A Review

Last week, I was singing the praises of the second series of Heartstopper, a series that remains fresh, fun, and relevant. This week, Amazon Prime have released Red, White and Royal Blue, and it couldn’t be more different.

It’s great that Amazon are behind a film with two gay protagonists, but is this limp and insipid piece of filmmaking the best that they could manage? What we have, basically, is a Hallmark-type movie that barely has a scene that rings true. Taylor Zakhar Perez and Nicholas Galitzine star as Alex, the son of the US president, and Prince Henry. At first hating each other, they soon become friends and then lovers, but what will happen when the world finds out?

Added in to the mix is Uma Thurman, with an awful Texan accent, and Stephen Fry as the king. Even Stephen Fry doesn’t come out of this very well, and I say that as someone who would be over the moon if he were suddenly king. Perhaps someone could start an online campaign.

There’s very little chemistry between the two leads, although, with this bland and insipid script, one can hardly blame them for their performances. What could have been a witty, fun and incisive take on the subjects of celebrity, royalty, privacy, and the media, is a limp lettuce of a film that only comes to life in the final half an hour or so, when it finally shows some signs of being relevant, and there is finally some emotional connection with the viewer. Even the much publicised “cake” scene at the beginning of the film is completely without any real humour. The art of slapstick appears to have been forgotten in this instance. Sadly, the pictures of the two leads covered in cake is a rather apt summing up of how much of a mess this film is.

The budget also holds the film back, with the movie having a “fake” feel throughout its running time. None of the locations or sets really convince us, and there appears to have been money saved at each and every opportunity – most notably in the crowd/balcony scene towards the end of the movie. Surely Amazon could have coughed up enough money to employ something resembling an actual crowd rather than stock footage reflected in a window?

With the exception of the final half hour, which at least has some merit, it is just a completely ineffective film. The couple of sex scenes are just as uninspired as the rest of the movie – although how and why they caused the film to be R-rated in the USA is anybody’s guess. But the truth is that there are better films out there about how horrible it is to be a prince and fall in love with the wrong person – go check out The Student Prince (1954), it’s far more effective. And there are better films out there about being the gay son of a politician. The superb gay low-budget indie movie Poster Boy (2004) is a far more interesting way to spend your evening than watching the awfully-titled Red, White and Royal Blue. And, of course, there’s also Young Royals on Netflix, which is, for the most part, very good indeed.

I’m told the novel of Red, White and Royal Blue is quite the success, and I can only hope that the writing and characterisation within it are better than in the film version. In short, not the most exciting way to spend two hours.

The “Good Old Days” are Now: Heartstopper, season Two

This blog posts contains some spoilers for Heartstopper season 2.

Those of us who spend time on social media, particularly Facebook and Twitter, often see posts shared by friends and family (as well as total strangers) of a certain age, where they declare that their childhoods were better because they played outside instead of on the computer, or because we spoke to friends face to face instead of on messenger, etc.   They are posted with an air of nostalgia, of course, rather than through any real belief that our childhoods were better – and, it’s fair to say, that to say that they were is total bollocks. 

Who would want to go back to a time where most queer kids would never dream of coming out, knowing full well that they would be beaten each day at school if they did?

Who would want to go back to time where even being suspected of being gay would result in a beating, too? 

Who would want to go back to a time where disabled kids were not properly catered for in the school system and didn’t have the same rights as the rest of us? 

If we look back at our childhoods with a sense of reality rather than through rose-coloured glasses, would anyone really wish them on today’s kids?

And LGBTQ teenagers twenty, thirty, or forty years ago didn’t have anything remotely like Heartstopper, the second season of which dropped on Netflix this week.  The first time I saw anything close to a positive portrayal of male homosexuality on TV was when Beautiful Thing was first shown on Channel 4 somewhere around 1997 or 1998.  I was twenty-four.  Prior to that, most gay characters I saw on screen were dying of AIDS, being murdered, or committing suicide.  

Beautiful Thing (1997)

The BBC did try in the late 1980s with their then-controversial drama Two of Us (see pic, below) – a kind of hour-long Heartstopper of its day, and originally intended to be shown as part of the schools daytime programming of the time.  Around the same time, Section 28 was brought in by the Tory government.  This legislation officially banned “promotion of homosexuality” in schools.  By “promotion” they basically meant “don’t say anything remotely positive about it.”  The BBC got cold feet about Two of Us and pulled the programme, eventually showing it late at night instead when the people it was aimed at would have been in bed – and it was only shown then with a revised ending where the two gay teenagers didn’t get together after all.  Ah yes, the good old days.

Two of Us (BBC, 1987)

LGBTQ teenagers of the time (such as myself) had no-one on TV or film that they could relate to.  If only we’d had a film or a show like Heartstopper to relate to, and to convince us that everything was going to be fine, and that we’d get through whatever life was throwing at us.  I’ve seen criticism of the second season on social media, with people (mostly of my age) saying it is unrealistic because of its lack of sex (or references to sex).  I can only assume their minds have somehow been programmed to think such a thing after enduring the gay-themed indie films of the 1990s onwards, where it was thought that showing full frontal nudity every ten minutes or so was the only way of getting a gay man to sit through a film.   Any adult watching Heartstopper and wanting a sex scene is rather missing the point of the series in the first place.   

Season two continues pretty much where season one left off.  Nick and Charlie are, by and large, happy, and this season follows Nick’s journey through the coming out process – and it’s nice to see that journey depicted as not one “coming out” moment but the realisation that people keep coming out for the rest of their lives.  Also nice is that Nick isn’t forced to come out.  But, as with the first season, there is more going on than that.  Tao and Elle are working through a will they/won’t they relationship.  Tara and Darcy are going through various stresses in their own relationship – although I would like to have seen Darcy’s home life explored more.  The strand focussing on that doesn’t even appear until episode seven.  Perhaps there will be more next season.  Isaac is slowing working out how he fits in (or doesn’t fit in) to the whole relationship thing, and we also get to see more Mr. Ajayi’s personal life, which is really nice, too.   

It is a busy series (and includes a very charming three-episode jaunt to Paris), but none of it seems rushed, with the exception of the Darcy subplot, and, perhaps, the rather strange situation that homophobic rugby player Harry doesn’t make any play after finding out Nick and Charlie an item.  There are some wonderful put-the-arrogant-idiots in their place moments in this series, where Harry, Nick’s brother, and Ben all basically get told where to go – although it would have been interesting to see one of those moments not work out so well for the one putting them in their place. 

But, for the most part, this remains a series about good people doing good things and looking after each other.  It’s still surprising, perhaps, that a series based on that premise has been so welcomed in our cynical times – and that it’s just so damned good.  If there was an Emmy for Most Charming Series, it would win, hands down.   And it shouldn’t be surprising that adults are watching the series and being moved by it, too.   

Heartstopper, season two

Ten years ago, I wrote a novel called Breaking Point, dealing with a pair of teenaged boys who are friends but realise their friendship is becoming something more.  At the same time,  a bully and his friends do what they can to drive them apart.   But I confess that, while I am very proud of Breaking Point and its sequel, Breaking Down (both still available, I might add!!), I’d much rather have written Heartstopper.   There is almost an audaciousness and daring in writing something so simply driven by nice people doing good things.  What other drama series or book series does that?  It’s an utter masterstroke, and so what we need right now as the country continues to tear itself apart.

The writing this season is both sharper and more subtle, and the acting has also improved – although the slightly rough-around-the-edges element to the first season in that regard was rather beguiling.   There are also sequences that appear to be improvised, giving the show such a natural feel, helped by how well the cast clearly gel with each other.  Talking of which, don’t miss the recap of the last season before episode one, which is narrated by the cast as themselves, and is very sweet. 

The reviews for this second season have largely been excellent, although it appears the reviewer in The Independent has a heart of stone.  Perhaps he has forgotten that the show is actually aimed at young teenagers, and not middle-aged men – although there is plenty for adults to enjoy, I might add, including the appearance of Olivia Colman (stunning as always), but also that feeling of watching it and being thankful that today’s kids have Heartstopper instead of Section 28. 

We should never forget how much of a good thing that is.

“Love is the Sweetest Thing” – Heartstopper (TV series review)

It doesn’t seem nearly a decade ago since I was writing Breaking Point, a novel about gay friends being pulled apart by the bullying that they were subjected to. The story switched from telling it from the point of view of the two friends to the bully to the teacher who felt helpless to do something about it. There were sequences in Breaking Point (and the sequel, Breaking Down) that showed some of the joy of teenage love, but the emphasis was on the bullying that they went through, and trying to shed light on the forms it could take.

Netflix’s new teen drama, Heartstopper, dropped on Friday, and I confess I’m utterly jealous of writer Alice Oseman’s ability to tell a not dissimilar story to Breaking Point, but concentrating on the sweet love story rather than the homophobia and bullying that threatens the relationships at the heart of the series. Joe Locke and Kit Connor play Charlie and Nick, who become unlikely friends after being thrown together following changes to form groups at their all-boys high school. Charlie is an out gay teen who, the previous year, had suffered a lengthy period of school bullying, while Nick (a year older than Charlie) is the school’s star rugby player. When their friendship surprisingly turns into something more, their relationship is threatened by their respective friendship groups – and their friendship groups are threatened by their relationship. There are depictions of homophobia and bullying here but, while unpleasant, they are handled in such a way to gain the show a recommendation of viewers of twelve years and over – although, if I was a parent, I would find little here to worry about a younger child seeing. There’s no four-letter words, no sex, no nudity. Just teenagers falling in love.

Despite the bullying and the tensions between friends and the pair at the heart of the story, there’s never a sense of impending doom, or any real feeling of threat to the core relationship. And creating something of that nature is far more difficult than it sounds. It’s far easier to create a serious drama with lots of emotionally explosive scenes than coming up with four hours of television that leaves the viewer with a warm glow for the majority of its running time. Indeed, perhaps “Heartwarming” would be a more apt title than “heartstopper.”

The series has had almost unanimously positive reviews, and is currently at 100% approval on Rotten Tomatoes. Perhaps, after years of political divisions in the UK, where neighbour was almost actively encouraged to fall out with neighbour, and after two years of Coronavirus, there is a yearning for a television series like this, which is largely happy and joyful, and where most of the characters are kind and caring and looking out for each other. Some might find the offering just a bit too nice, and there are times when watching it feels like you are plunging your face into a gateau – but it’s the nicest gateau that you have ever tasted and, no matter how much you consume, you never feel remotely sick or overfull.

I admit I’m not aware of the work of the main cast prior to this series, but it’s so good to see teenagers actually being played by teenagers rather than people approaching thirty. And, even better than that, the cast actually look like real schoolkids rather than models, and none of them sport a six pack. And that’s a great thing considering other shows on Netflix (Elite, Riverdale) which would make you think that four days of the school week is spent in a gym. But the cast is great for the most part, and Olivia Colman unexpectedly pops up in a small role as Nick’s mother, while Stephen Fry says about five lines off-screen as the school’s headmaster. There is also fine writing and performances with regards to the supporting cast, with this inclusive series charting their own relationships, too.

In short, Heartstopper is a delight (and an unexpected one for me, who’d never heard of the web comic it’s based on), and a second series seems inevitable. Going by the reviews so far, and the welcome the series has received on social media, Netflix might well be suffering a substantial boycott if they don’t commission one.

I am so glad that LGBTQ teens today have a series like this available to them, and I know how much difference a series like Heartstopper would have made to my own life had it been around when I was that age. In 1992, we had Section 28. In 2022, teens have Heartstopper. And I’m so pleased for them.

Love, Victor (Season 1 review)

A couple of years ago, I wrote some very nice things about Love, Simon – the first ever movie by a major Hollywood studio to feature a gay teen protagonist. It was a huge step for Hollywood, and it seemed that, finally, things were changing.  And it had taken a long while.  To put it in context, the first movie to feature a gay lead character was the German Anders als die Andern in 1919.  It had took Hollywood ninety-nine years after that to put out a gay-themed teen movie.  But it appears now that, despite its success, Love, Simon hasn’t opened the floodgates.  We have been here before.  It was thought that Philadelphia would be the first of many gay-themed Hollywood movies.  And then we thought the same about Brokeback Mountain.  In both cases, it didn’t happen. And it hasn’t happened following Love, Simon either, and shame on the major studios for that.

However, while Hollywood movies remain decades behind the times, television – particularly streaming platforms – have stepped up to the mark.  It is there where the LGBTQ community turn to when they want to see characters and narratives that reflect their own lives.  Netflix in particular has done wonders in this regard, with the likes of Atypical, Chilling Adventures of Sabrina, Riverdale, 13 Reasons Why, Daybreak, Elite, Grand Army, I Am Not OK with This, and many, many more.  And, last year, Disney got in on the action with Love, Victor, a series that acts as a sequel of sorts to Love, Simon.   

Love, Victor (which I’m a bit late in watching!) is set in the same school as the 2018 film, but with a mostly new set of characters.  Victor Salazar and his family have just moved across the country, and he and his sister are now attending Creekwood High School.   As soon as he gets to the school, he hears about what happened to Simon, who is still rather a local celebrity even though he’s now living in New York.  But Victor is having his own struggles with his sexuality, and starts to correspond with Simon via email.  

There was quite a furore among some of the LGBTQ community last year when Disney decided not to screen the series, but to move it to Hulu.  But, having finally just seen it, this seemed like a sensible decision.  This is not traditional Disney fare.  There is talk of sexual situations, for example, marital infidelity, scenes set in a night club, and so on.  While Disney may well have got away with the first season on their own platform, the series wouldn’t have had room to grow in seasons that followed.  It rather reminds me of the situation that The Wonder Years faced, back in the 1990s.  Producers wanted the series to get more adult as Kevin grew older, but the network didn’t want that to happen.  The Wonder Years had attracted a certain audience in its 8pm slot, and the network didn’t want to challenge that, and so the who came to rather clumsy and hasty conclusion rather than compromise its integrity.  It’s worth adding that Love, Victor appears on the Starz section of Disneyplus in the UK.

Returning to Love, Victor, it is quite different from the film that it gets (half) its name from.  Being a series amounting to five hours of screen time, it doesn’t need to have some of the unlikely plot twists of the film to tell its story.  It can take its time, and explore the subject matter at a more sensible pace.  But there is a feeling that, perhaps, there are too many strands for it to deal with.  Not only is there Victor coming to terms with his sexuality, but there are the problems with his parent’s marriage, the difficulties his sister has in fitting in, the rather kooky neighbour who becomes Victor’s best friend, and so on.  It does sometimes feel that it is spreading itself too thin. 

But it’s easy to pick holes.  And the question I had watching Love, Simon returns for Love, Victor.  How different would my life have been had there been something like this thirty years ago when I was Victor’s age? Would my coming out process really have taken until I was twenty-six?  I very much doubt that it would, but beyond a handful of British films during the late 1980s, there were no positive gay characters on our TV screens back then.  There weren’t even many negative ones.  And certainly gay teenagers such as myself had nowhere to turn in many cases to see how others were dealing with what we were dealing with.  I knew no-one else gay at school – or, at least, I thought I didn’t, but now I realise I did.  We just kept it quiet.  The internet changed everything for me in that regard, but by then I was in my mid-twenties.   And it is heart-warming to think that shows like Love Victor exist.

The show is clearly not aimed at a forty-seven-year-old like myself, but there is still much to enjoy.  In fact, teen programmes are some of the best programmes out there these days.   And the series is genuinely funny in places, and emotional in others.  Other than the “trying to fit too much in” issue mentioned earlier, the writing is top notch, and the cast are perfect – and it’s nice to see actors and actresses who, in most cases, could possibly be taken for the age of the character they are playing.  Michael Cimino as Victor is utterly charming, and Anthony Turpel is very good indeed as the quirky Felix who lives in the flat upstairs.  While we’re mentioning Felix, the sequence where we get to see inside his apartment and he talks about his mother is very moving, and brilliantly executed, and a key moment to suggest that the writers here are more ambitious than simply serving up a coming out story.  Here’s hoping that Felix’s home situation is dealt with further in the new season.

There is the rather lovely touch that Simon (Nick Robinson, who also produces) appears in voiceover as he and Victor write to each other, even if that element might cause some issues going forward, and one can see how it might feel shoehorned in during future seasons.  In fact, the one episode that does seem somewhat like a misstep is the one where Victor and Simon meet onscreen.  It’s easy to see why this happens and why it was thought to be a sweet idea, but something doesn’t quite gel in this episode.

The second series of Love, Victor starts this month, and it will be interesting to see where it goes and how it grows, and whether it wants its audience to grow older with it, and how it negotiates the various thorny issues that are likely to come up.  Will it try to remain PG material, or will it go beyond that?  Either way, hopefully, the series will be with us for some time but, like Victor himself, it needs to take one step at a time. 

Breaking Point: An Introduction

I don’t write for my various blogs as much as I used to. I still write as much online, but it just seems to end up in forums or Facebook groups. But I did want to take a few minutes out from my really busy life (note the sarcasm) to say a few words about the playscript of Breaking Point that I have just published.

I published the novel of Breaking Point back in 2013, and then an expanded version in 2019, alongside a sequel called Breaking Down. You can see where this is going. Before long we’ll have Breaking Up, Breaking Out, Breaking Wind… OK, perhaps not. They are not going to happen. And I shouldn’t really joke because Breaking Point is very important to me, as it’s a hard-hitting story about homophobic bullying in schools, but it’s not just the victim’s story, it’s the bully’s and the teacher’s too. And Breaking Down (the sequel) looks into the after-effects of bullying – again, through the eyes of all victims, bullies, and teachers. The long term mental health effects are very much to the fore here.

But I wanted to talk about the play because it was written long before the novel. It started life as a script for a short film back in 2002, which never got made for various reasons. I then turned it into a full-length film – which also didn’t get made, and then wrote it for the stage around 2009. Because I wrote the novel afterwards, and could put much more into that longer format, I tended to forget about the play, but every so often I found the files on the computer and thought “I must take another look at that.” When I finally did look at it last autumn, I surprised myself at how well it worked as a play – and also how far it tapped into certain things that would become commonplace during the last decade (such as online bullying). But I knew I couldn’t publish it without changing a few things here and there, and so set to work.

The second act needed most work, as it was rather flimsy in its original form, and so I went back to the novel I had written based on the story and pulled across some episodes from that which I thought would work well, and which would flesh out some of the characters as well. But what struck me most of all was how relevant it all was – even more relevant, I think, than when I had last fooled around with it a decade ago.

I spend a lot of time online, and it doesn’t take much to see that homophobic abuse is increasing within our everyday lives. We can see it every day on Twitter, for example. And, living in the centre of a city as I do, I can hear it every day from my window – and an increase in racial and religious abuse, too. And, without getting too political, it says something of the state we are in as a society when I needed to insert current gay slurs into the text for the bullying scenes and the ones I chose were the same ones used by our Prime Minister.

Breaking Point has never been performed, although it has got as far as read-throughs and rehearsals, and I would very much like a production or two or three to happen. The play is one of the pieces of writing I am most proud of, despite how heartbreaking it is in places – and how much of it rings true with regards what I went through or saw when I was at school (although this is certainly not my story).

The play of Breaking Point is free for any amateur group, youth theatre, school, college or university to perform (and any variations of those I have missed out). All I ask is that you “keep me in the loop.” That means, contact me before you start your production, and then let me know how it’s going. If the production is in the UK and I can attend, I would love to do so – health permitting. If you are thinking of producing the play, I am happy to provide you with a PDF of the script, so that you can get your copies the cheapest way possible. The use of a bare stage with minimal props also helps keep the costs down for theatre groups.

So, finally, I set the script of Breaking Point off into the world. Take good care of it…and yourselves.

Shane Brown

Breaking Point can be purchased on Amazon in Kindle form at: https://www.amazon.co.uk/Breaking-Point-Play-Shane-Brown-ebook/dp/B084RWSP6D/ref=sr_1_1?keywords=shane+brown+breaking+point+play&qid=1581906379&sr=8-1

And it can be bought in paperback form at https://www.amazon.co.uk/Breaking-Point-Play-Shane-Brown/dp/B084QK92QL/ref=sr_1_2?keywords=shane+brown+breaking+point+play&qid=1581906421&sr=8-2

It is also available at Amazon stores across the globe.